Open Gallery

The open gallery introduces variation–a lift!–to the withering paces of the
semester. I’d never tried anything quite like it before, and to be honest,
even though I listed it on the course schedule for WRT302, I considered a
reversal of plans right up until two days before. The open gallery
emphasizes circulation, conversation; whatever the compositional pieces,
there’s a gathering, music, movement, laughter. A lightness.

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Hawisher et. al., Computers and the Teaching of Writing

Hawisher,
Gail E., Cynthia L. Selfe, Paul LeBlanc, and Charles Moran. Computers and the Teaching of Writing
in American Higher Education, 1979-1994: A History
. New Directions
in Computers and Composition Ser. Norwoord, N.J.: Ablex, 1996.

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Electracuse

Given that classes started today, I guess it is both appropriate and timely
to declare that
WRT302
is more or less together.  Along with tightening the schedule, I touched up
a few minor things this morning. I also drew up a questionnaire to gauge
familiarity and interest related to a series of twelve applications (not all
apps: HTML, image work, Flash, etc.).  For the first time ever (in a class, day one) I projected
a few slides onto the screen to frame our opening trajectories re digital
writing.  The plan–the course’s imagined topography–still feels pocketed
in a few places, but I’ll wait a week or two before deciding to shuffle anything
for that reason alone. Also, I haven’t come to terms with the role of
del.icio.us just yet, as its unkempt state suggests.

Barton, “Interpreting the Discourses of Technology”

Barton,
Ellen L. "Interpreting the Discourses of Technology." Literacy
and Computers: The Complications of Teaching and Learning with Technology
.
Cynthia Selfe and Susan Hiligoss, eds. Research and Scholarship in Composition
Ser. New York: MLA, 1994. 56-75.

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