Tag: kite

Collectanea 24.25 Vacui-Editors-Proximity

/ Derek Mueller
⏳ Approximate reading time: 7 mins

Week of June 9, 2025

Figure 1. Hisstilla (Northern black racer or Eastern rat snake, she won’t say) sunning in the Catalpa tree, back edge of the holler, a few steps away from the Phone of the Wind and in-progress Stick Henge.

Horror Vacui 🕳️

“At Physics IV, 8, 216a26-7, Aristotle cracks a joke. It is one of the relatively few deliberate jokes in the corpus, and its occurrence here is not without significance. Aristotle in these chapters is arguing against those who believe in the existence of the void, or vacuum, or empty space; he says, ‘even if we consider it on its own merits the so-called vacuum will be found to be really vacuous.’2

To be sure, this is not a very funny joke; what is interesting about it, though, is that it underlines the general attitude of dismissive flippancy that seems to run through Aristotle’s consideration of the void.
He seems to refuse to take the hypothesis of the void at all seriously. He never argues directly that the void does not or cannot exist,3 but contents himself with criticizing the arguments that other thinkers had advanced in its favour. And even this criticism seems disorganized4 and strawmannish—it doesn’t really meet these thinkers on their own terms; moreover, it is heavily bound up with Aristotle’s peculiar views about the phenomena and laws of motion.5 One comes away with an uneasy feeling that the problem itself has not been addressed, that Aristotle has been unable or unwilling to give his real reasons for disliking the void; it seems almost as though he suffers from an irrational aversion to the void, a neurotic horror vacui, and will clutch at straws to refute it.”

—John Thorp. (1990). “Aristotle’s Horror Vacui1. Canadian Journal of Philosophy, 20(2), 149–166. #emptiness #vacuum #void #clearings

CCC Editors

  • Kara Taczak & Matt Davis, Feb 2025- (U Central Florida & UMass-Boston)
  • Malea Powell, Feb 2020-Dec 2024 (Michigan St U); 4 years, 10 months
  • Jonathan Alexander, Feb 2015-Dec 2019 (UC-Irvine); 4 years, 10 months
  • Kathleen Blake Yancey, Feb 2010-Dec 2014 (Florida St U); 4 years, 10 months
  • Deborah Holdstein, Feb 2005-Dec 2009 (Governors St U; Columbia C Chicago); 4 years, 10 months
  • Marilyn Cooper, Feb 2000-Dec 2004 (Michigan Tech); 4 years, 10 months
  • Joseph Harris, Feb 1994-Dec 1999 (U Pittsburgh; Duke U); 5 years, 10 months
  • Richard Gebhardt, Feb 1987-Dec 1993 (Findlay C; Bowling Green St U); 6 years, 10 months
  • Richard Larson, Feb 1980-Dec 1986 (Lehman C CUNY); 6 years, 10 months
  • Edward P.J. Corbett, Feb 1974-Dec 1979 (Ohio St U); 5 years, 10 months
  • William Irmscher, Feb 1965-Dec 1973 (U Washington); 8 years, 10 months
  • Ken Macrorie, Feb 1962-Dec 1964 (Western Michigan U); 2 years, 10 months
  • Cecil B. Williams, Dec 1960-Dec 1962 (Texas Christian U); 2 years, 10 months
  • Francis E. Bowman (noted as interim), October 1959-October 1960 (Williams took a Fulbright at U Hamburg) (Duke U); 1 year
  • Cecil B. Williams, Feb 1959-May 1959 (Oklahoma St U); 4 months
  • Francis E. Bowman, Feb 1956-Dec 1958 (Duke U); 2 years, 4 months
  • George W. Wykoff, Oct 1952-Dec 1955 (Purdue U); 3 years, 2 months
  • Charles (Chas) Roberts, March 1950-May 1952 (U Illinois); 2 years, 2 months

〜

Recently I was revisiting Lisa Ede’s editor’s introduction to the collection of the Braddock award-winning essays, On Writing Research: The Braddock Essays, 1975-1998. I noticed the book’s frontmatter included an up-to-date at the time list of CCC editors, Charles Roberts through Joseph Harris, which in turn pointed me to the Wikipedia entry to see whether an up-to-date now list was there, which in turn nudged me to attempt a little bit of updating, so I added institutional affiliations and lengths of terms. A section of this manuscript I’m working on deals only tangentially with this stuff; thus, it’s fitting for Collectanea. Depending upon how you score the Williams-Bowman terms in the late 1950s and early 1960s, Taczak and Davis are editors #16 and #17, or, for the interims-do-count crowd, #18 and #19; they’re the journal’s first co-editors, however you add it up. No institutional affiliations repeat, except Duke with two (Bowman and Harris). Irmscher’s nine year term is longest; Roberts’ is shortest.

Donelon as Elondon

Figure 2. “Elondon as Donelon.”

“In the 2015 anthology First Comes Love: Power Couples, Celebrity Kinship, and Cultural Politics, Vanessa Díaz, an assistant professor of communications at Cal State Fullerton, wrote a chapter analyzing the term ‘Brangelina’ and the practice of combining celebrity couples’ names into one. Díaz, currently a postdoctoral fellow at UCLA, pointed out that most previous notable portmanteaus were either self-created (Desi Arnaz and Lucille Ball’s ‘Desilu’ production company, John Lennon and Yoko Ono’s ‘Lenono Music’) or used by as a term of derision (Bill and Hillary Clinton as ‘Billary’). But the ‘Brangelina’ tag arose during an intense period of competition between celebrity tabloids, and it was part of a wave of gimmicky namings that helped feed public fascination with famous couples—but only certain famous couples” (para. 2).

—Spencer Kornhaber. (2016, September 22). Brangelina’s Mystique Was Because of the Word “Brangelina.” The Atlantic. https://www.theatlantic.com/entertainment/archive/2016/09/brangelina-brad-pitt-angelina-jolie-divorce-vanessa-diaz-interview-celebrity-marriage-nicknames/501050/. #strangeloop #blends #tobetwo #celebrity #combos

As A Kite 🪁, The Nation on Elon Musk’s Drug Use

“In the last few years, the mind of Elon Musk has dramatically moved in two directions, one lateral and the other vertical. Ideologically, he has shifted from a moderate big-business centrist who supported Barack Obama to a far-right partisan of Donald Trump, a White House adviser whose contentious tenure ended last Wednesday. Cognitively, Musk has gone from being hyperbolic but still grounded in reality to being—or so it would seem—almost permanently high as a kite.”

—Jeet Heer. (2025, June 2). Elon Musk’s Real Drug Problem Is Much Worse Than You Think. The Nation. https://www.thenation.com/article/society/elon-musk-drug-use-ideology/ #ideology #alteredstates #mind #ketamine #extremism

5ives

5ives, or Merlin’s Lists of Five Things was one of the early standouts for me among 21st century, digital progymnasmata. The site’s first Internet Archive snapshot shows it was well underway by September 4, 2003, though the earliest entries don’t bear datestamps to follow the sun dial’s shadow any more finely than this. The last entry, Five Musicians to Whom I’ve Drunkenly Introduced Myself, was posted on December 2, 2016, and the site has subsequent sporadic snapshots through this spring, April 2025. Now the URL shows “error establishing a database connection,” so 5ives, well, it’s a gone. And yet. The list of five things still toe taps, still sparks synapse. Gones branch out; what looks like disappearance can be ulteriority, a slow circulation, tacit and inobservable. Why not give 5ives a try here from time to time?

The Wonder Hollow Hens Ranked by How Many Eggs They Laid This Week

  1. Perla
  2. Betty
  3. Tiny Honey
  4. Wizard
  5. Lightfoot
Fivure 3. A screenshot of the last entries posted at 5ives: Merlin’s List of Five Things on December 2, 2016, and July 2, 2015.

Operative Proximity, or Why I Am Growing [Snoring Sounds] of Literature Reviews

“We apply what [Albert North] Whitehead said about a philosophical system’s dynamic self-relation to the relation between generative works. Certain authors’ works share orientations that place them in operative proximity to each other. These are less doctrinal principles than motivating presuppositions that set the conditions of possibility for what the thinking can produce and work it continuously from within. The concepts of different authors working from a similar presuppositional field have the same characteristic Whitehead sought: they connect on the level of what each leaves effectively unsaid for another, by dint of mutual oversaturation. So rather than critiquing, we draw out threads and weave them into a movement of thought emergent in the between. If this is successful, it creates a transindividual field of consistency that becomes our habitat of thought. This way of approaching works constitutes a ‘minor’ treatment of the texts: sidestepping general discussion of ‘major’ concepts (periods, schools, doctrines, stock philosophical problems).”

—Erin Manning, Brian Massumi, Stacey Moran, and Adam Nocek. 2022. “3Ecologies Project: An Interview with Erin Manning and Brian Massumi.” Techniques Journal 2 (Spring).

Reptile Life

As I was taking the garbage to the Rogers drop-off site last Sunday, Hisstilla was napping in the middle of Rosemary Road. So, rather than wait, I grabbed a longish stick from alongside the road and scooted her safely to the edge before continuing on my way. I’ve seen her three times this week, twice while F. was with me. In almost four years that’s more snake encounters in one week than ever before, which gets me thinking, what if she has a stunt double—the racer’s two bodies.

Figure 4. Look, it’s Hisstilla (or her doppelgänger?) in the road.
About Collectanea

Collectanea is a new, provisional series I’m trying out in Summer 2025 at Earth Wide Moth. Each entry accumulates throughout the week and is formed by gathering quotations, links, drawings, and miscellany. The title of the entry notes the week and year (the third in this series from Week 24 of 2025, or the Week of June 9). I open a tab, add a little of this or that most days. Why? Years ago my habitude toward serial composition and, thus, toward blogging, favored lighter, less formal, and more varied fragments; gradually, social media began to reel in many of these short form entries, recasting them as posts dropped a Facebook or Instagram or Twitter (while it lasted), albeit with dwindling ripple effect into the ad-addled and algorithm-ambivalent streams. This space, meanwhile, began to feel to me like it wanted more thoughtfully developed entries bearing the shape and length of what you might find on Medium or Substack. But, because I am drafting toward a book project most mornings, I don’t quite have reliable essayistic bandwidth for Earth Wide Moth this summer. Collectanea, if it goes according to my small bites chicken scratch plan, will be a release valve for the piling up of too many tabs open, functioning as a shareable, intermittent (weekly?) repository for small pieces cut and pasted from stuff I am reading, and also as a scrapbook for illustrations. -DM

Mint sprigs growing mid-creek in the stretch we have with fondness and great creative effort dubbed Mint Creek. #wonderhollow #rollcall

Collectanea 22.25 Dash-Ghost-Kite

/ Derek Mueller
⏳ Approximate reading time: 5 mins

Week of May 26, 2025

But When Are We, Then?

“But what are we, then, in this space of all spaces all at once and no temporal flow? Under the sense of literacy we unpacked in the earlier/previous part of this writing, we rely on our ability to construct ourselves at some nexus between past and future, to have faith in the present as the point where past and future meet like (exactly like) a reader progressing through a linear text, uniting what has gone before with what is now and with what will come.

[P]ersonal identity is itself the effect of a certain temporal unification of past and future with one’s present …. If we are unable to unify the past, present, and future of the sentence, we are similarly unable to unify the past, present, and future of our own biographical experience or psychic life” (Jameson 27).

—Anne Wysocki & Johndan Johnson-Eilola, “Blinded by the Letter: Why Are We Using Literacy as a Metaphor for Everything Else?” Hawisher, Gail E., & Cynthia L., Selfe (Eds.). (1999). Passions, Pedagogies, and 21st Century Technologies. Utah State University Press.  https://digitalcommons.usu.edu/usupress_pubs/119. 349-368.

Longue—Illustration Paired with the OnlyPoems POTM for May

Figure 1. “Longue.”

Longue, as in a duration of waiting, a rest, an eventually. An em-dash-like figure relaxes in repose, punctuation appearing to grow tired of always the highs and lows of overuse followed by neglect. The editorial illustration paired with the OnlyPoems May 2025 Poem of the Month, “Ars Poetica as the Sexy Little Em Dash,” by Katherine Irajpanah. #ekphrastic #POTM #illustration

Remain a Ghost

“As I said, I was a ghost. The truth is that, even all these years later, I remain a ghost. You wouldn’t know it if you saw me. I’m not morose or retiring. I laugh a lot. In fact, I’m genuinely happier than many people I know. But I can’t help but feel that, on one level, I do not exist.”

—Vauhini Vara, “Ghosts.” (9 Aug. 2021). The Believer Magazine. https://www.thebeliever.net/ghosts/. #AI #interface #authorship #ghost #existence #loss #grief #design

Learning to Love You More, 2002-2009

A., in the midst of class planning for fall, sent me a link to this project from back when the WWW felt funkier, freer, more alive, interactions less overdetermined by platforms. It’s like a click-around at a bygone thing, a plunge on Boblo Island’s Log Flume. In it, teaching possibilities. Seventy assignments, complete what you will. -DM

“Learning to Love You More is both a web site and series of non-web presentations comprised of work made by the general public in response to assignments given by artists Miranda July and Harrell Fletcher. Yuri Ono designed and managed the web site.

Participants accepted an assignment, completed it by following the simple but specific instructions, sent in the required report (photograph, text, video, etc), and their work got posted on-line. Like a recipe, meditation practice, or familiar song, the prescriptive nature of these assignments was intended to guide people towards their own experience.”

—Harrell Fletcher, Miranda July, & Yuri Ono, “Learning to Love You More.” http://learningtoloveyoumore.com/. Accessed May 27, 2025. #installation #digital #art #participation #throwback #assignments #teaching

Peculiar Form of Intellectual Currency

“In particular, I am troubled by the limited circulation of student texts in our field—very few of which are requoted or reanalyzed outside of the articles in which they first appear. Student texts thus turn out to be a peculiar form of intellectual currency. We establish our bona fides as compositionists by quoting them, but we seldom revisit student texts quoted by others.”

—Joseph Harris. (2012). Using Student Texts in Composition Scholarship. JAC, 32(3/4), 667–694. http://www.jstor.org/stable/41709848 #student #texts #disciplinary #epistemology #subjectivity #usable #writing #circulation

Twenty-six Titles, Sixteen Years

Figure 2. Computers and Composition Digital Press logo.

Computers and Composition Digital Press (CCDP), an imprint of Utah State University Press, has published twenty-six titles since its launch in 2009. The first book, Technological Ecologies & Sustainability, edited by Dànielle Nicole DeVoss, Heidi McKee, and Dickie Selfe, reads as especially salient for the 2026 Computers & Writing Conference in Charlotte, NC, considering that sustainability will be the conference’s theme. Sifting for a moment through the TES materials, the mixed modalities, from the 383-page PDF (size noted as 4.8 “meg”) to the embedded videos, call up impressions suggesting both novelty and time-capsulism in its feeling much more than sixteen years removed from today’s digital environments. I have been perusing all of the titles as I think about the still-complicated prospect of producing scholarship that simply cannot abide the constraints of the printed page, while still living up to long-held commonplaces about what constitutes a “book.” One more noticing: there are titles published in every year since 2009, except 2023. #digital #press #publishing #books #reliquary #sustainability

Phenakistiscope Mock-up: Kite Lost to Upsky

For the past few months, in the narrowest of narrow slivers of eveningtime, I have been attempting to create a phenakistiscope workflow in ProCreate. I first heard about phenakistiscopes from CGB a few months ago, and I found I was thinking about them more than I expected I would. Phenakistiscopes are pinwheel animations of old; they spin out stroboscopic movement from one wedge to the next. Insofar as rounding the bend from admiring them to making them, I am still puzzling through some of the finer points: which elements should be fixed (or in the exact same position), if any; what sizes of figures show up more legibly than others; whether text can be fitted into the sequence (so far, not with any result worth celebrating; how many layer-frames amount to something both visually inviting yet with a lean file size; and how to manage the bleed-edge for circular rotations converted to a square canvas. I had envisioned this one below, Kite Lost to Upsky, as a child flying a kite on a beach, only the kite catches a gust and the kite string snaps the kite sailing off irretrievable. So, as you can maybe? see, not quite a disastrous failure, but also not the sort of success you’d send to a friend with a Wow! subject line.

Figure 3. Phenokiteiscope.
About Collectanea

Collectanea is a new, provisional series I’m trying out in Summer 2025 at Earth Wide Moth. Each entry accumulates throughout the week and is formed by gathering quotations, links, drawings, and miscellany. The title of the entry notes the week and year (the first in this series from Week 22 of 2025, or the Week of May 26). I open a tab, add a little of this or that most days. Why? Years ago my habitude toward serial composition and, thus, toward blogging, favored lighter, less formal, and more varied fragments; gradually, social media began to reel in many of these short form entries, recasting them as posts dropped a Facebook or Instagram or Twitter (while it lasted), albeit with dwindling ripple effect into the ad-addled and algorithm-ambivalent streams. This space, meanwhile, began to feel to me like it wanted more thoughtfully developed entries bearing the shape and length of what you might find on Medium or Substack. But, because I am drafting toward a book project most mornings, I don’t quite have reliable essayistic bandwidth for Earth Wide Moth this summer. Collectanea, if it goes according to my small bites chicken scratch plan, will be a release valve for the piling up of too many tabs open, functioning as a shareable, intermittent (weekly?) repository for small pieces cut and pasted from stuff I am reading, and also as a scrapbook for illustrations. -DM

Lightfoot and Mo. #wonderhollow #rollcall