Writers House

⏳ Approximate reading time: 3 mins

I may have mentioned before that I subscribe to the RSS feed for
my del.icio.us network. For me
this means big things. I use Google Reader to aggregate all of the links bookmarked in
del.icio.us by users I have identified as belonging to my network.
Twenty-two more or less active gatherers of the net’s goods, the whole team
working in service of, well, themselves (I almost wrote me). They
don’t necessarily post links for me (although del.icio.us makes this possible,
and others have shared links with me directly a time or two). But because
they post them for themselves, the bookmarks carry something like credibility, a
small portion of this sort of matters to somebody. How much time do I
spend sifting through the feed bubbling with all of these links from my
del.icio.us network? Rarely more than a minute. Sometimes I herd the
links into my own collection. Other times I open a link in a new tab and
see what it’s all about (this is the most time-consuming practice; also,
sometimes, the most rewarding). Most of the time I move along, having merely
glanced the bookmarks. Even when I pass them by, they give me a vague
sense of what someone else is collecting (or researching or doing or even buying
for holiday gifts…I won’t say whose gift ideas I borrow every
December). These practices, like many others (not all of them digital), promote
what I think of as network sense (this, a key idea I am developing in the
diss).

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Wysocki, “Opening New Media to Writing”

⏳ Approximate reading time: 3 mins

Wysocki, Anne.
"Opening New Media to Writing: Openings and Justifications."
Writing New Media: Theory and Applications for Expanding
the Teaching of Composition
. Wysocki et. al., eds. Logan: Utah State Univ. Press, 2004. 1-23.

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Open Gallery

⏳ Approximate reading time: 2 mins

The open gallery introduces variation–a lift!–to the withering paces of the
semester. I’d never tried anything quite like it before, and to be honest,
even though I listed it on the course schedule for WRT302, I considered a
reversal of plans right up until two days before. The open gallery
emphasizes circulation, conversation; whatever the compositional pieces,
there’s a gathering, music, movement, laughter. A lightness.

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