{"id":7085,"date":"2006-11-27T12:29:12","date_gmt":"2006-11-27T12:29:12","guid":{"rendered":"http:\/\/www.earthwidemoth.com\/blog\/2006\/11\/27\/hesse-who-owns-1\/"},"modified":"2006-11-27T12:29:12","modified_gmt":"2006-11-27T12:29:12","slug":"hesse-who-owns-1","status":"publish","type":"post","link":"https:\/\/www.earthwidemoth.com\/blog\/2006\/11\/27\/hesse-who-owns-1\/","title":{"rendered":"Hesse, &#8220;Who Owns Writing?&#8221;"},"content":{"rendered":"<span class=\"span-reading-time rt-reading-time\" style=\"display: block;\"><span class=\"rt-label rt-prefix\">\u23f3 Approximate reading time: <\/span> <span class=\"rt-time\"> 3<\/span> <span class=\"rt-label rt-postfix\">mins<\/span><\/span>\n<p style=\"text-indent: -0.5in; margin-left: 0.5in; margin-bottom: 0in\">Hesse, Doug.<br \/>\n          &quot;Who Owns Writing?&quot; <i>CCC<\/i> 57.2 (2005): 335-357.<\/p>\n<p><!--more--><\/p>\n<p>Hesse&#8217;s address offers a meditation on the <b>domain of writing<\/b> and who<br \/>\nultimately is suited to act as steward over the domain. The idea of <b><br \/>\nownership<\/b> indicated in the talk&#8217;s title, Hesse clarifies early on, is not so<br \/>\nmuch of <b>intellectual property<\/b> as of &quot;the conditions under which<br \/>\nwriting is taught&quot; (337). With an emphasis on <b>practitioners<\/b>, the<br \/>\naddress articulates the role of compositionists as those who, because they are<br \/>\nknowledgeable about <b>&quot;the whole of&quot; writing<\/b>, are responsible for writing<br \/>\nand writers (355).<\/p>\n<p>Early in the address, Hesse refers to an <b>essay generator<\/b> and an<br \/>\nautomated <b>essay-grading system<\/b>. The computer-generated essay on aphasia<br \/>\nscores high in the grading system, suggesting (with a chuckle from everyone in<br \/>\nthe audience) how absurd machine scoring is. He uses this scenario to<br \/>\nbring up problems with school writing that will be graded with algorithms.<\/p>\n<p>Hesse presents <b>five spheres<\/b> of writing: <b>academic<\/b>, <b>vocational<\/b>,<br \/>\n<b>civic<\/b>, <b>personal<\/b>, and <b>belletristic<\/b> (349). Academic and<br \/>\nvocational writing match with what he calls <b>&quot;obliged discourse&quot;<\/b>, and he<br \/>\nacknowledges that the profession must continue to live up to the expectation on<br \/>\nstudents to perform obliged writing. The other three spheres are what he<br \/>\ncalls <b>&quot;self-sponsored discourse.&quot;<\/b> Hesse is most concerned with the <b><br \/>\ncivic sphere<\/b> as it has shifted from mass media to &quot;self-sponsored&quot; niches,<br \/>\nthus moving the civic nearer to the personal and belletristic. He mentions<br \/>\nWikipedia as yet another example of an expansion in the domain of writing that<br \/>\ncompositionists should take into account, rather than continuing &quot;to teach as if<br \/>\nthe civic sphere were still institutionally sponsored, as if there were<br \/>\nextractable principles, guidelines, and rules&quot; (353). <\/p>\n<p>Key terms: &quot;conflicted terms&quot; (336), ownership society (337), digital grader<br \/>\n(338), Turing test (341), objectivity (341), National Commission on Writing for<br \/>\nAmerica&#8217;s Families (343), national press (343), Lakoff&#8217;s conceptual frames<br \/>\n(345), college catalog (346), obliged discourse (349), self-sponsored discourse<br \/>\n(349), wikipedia (352), <\/p>\n<p>&quot;Our work ought to feel more important than it has in quite some time.<br \/>\nAnd yet, even with all this attention&#8211;in fact, even because of it&#8211;the stars<br \/>\nthreaten to fall on our familiar worlds&quot; (336).<\/p>\n<p>&quot;To ask who owns writing is to ask most obviously about property rights, the<br \/>\nbuying, selling, and leasing of textual acreages. But I&#8217;m rather asking who owns<br \/>\nthe conditions under which writing is taught?&quot; (337).<\/p>\n<p>&quot;What I will do is suggest that those who <i>teach<\/i> writing must affirm<br \/>\nthat we, in fact, <i>own<\/i> it. The question is what we should aspire to<br \/>\nown&#8211;and how&quot; (338).<\/p>\n<p>&quot;I cut out the graph because I wasn&#8217;t sure if the site would know what to do&quot;<br \/>\n(340). ^Brief though this is, the removal of the image is interesting in that it<br \/>\npoints to the difference between symbolic and iconic processing.<\/p>\n<p>&quot;In the machine dream, writing would become a sort of dull game, an<br \/>\ninteraction with software to produce a score&quot; (341).<\/p>\n<p>&quot;I&#8217;m wondering if the word &#8216;writing&#8217; may frame our work in ways that aren&#8217;t<br \/>\nalways desirable. The term seems neutral enough, but it may well carry the sense<br \/>\nof inscribing words on paper; that is, it may focus attention on the physical<br \/>\nact of graphemic production, separate from thinking, with all the focus on<br \/>\ncorrectness&quot; (345).<\/p>\n<p>&quot;Our borders aren&#8217;t fixed&quot; (346). ^In fact, they aren&#8217;t even <i>our<\/i><br \/>\nborders? Or <i>borders<\/i> at all?<\/p>\n<p>&quot;For various reasons, I think that as a profession we must continue to own up<br \/>\nto the demands of obliged writing on our students. But we must also attend to<br \/>\nself-sponsored writing, not only as target discourses but also as increasingly<br \/>\nimportant forms of action in the world&quot; (350). <\/p>\n<p>&quot;Make no mistake. We in 4Cs refract and frame no less than others. But we<br \/>\nhave something else&#8211;or if we don&#8217;t have it, we have no particular right to be<br \/>\nin this place, on this March morning. We have the lens of research and<br \/>\nreflective practice, polished carefully and long, intentionally scratched at<br \/>\ntimes, even melted. Ours is the knowledge of what writing is and what it<br \/>\ncan be, the whole of it, in every sphere&quot; (355).<\/p>\n","protected":false},"excerpt":{"rendered":"<p><span class=\"span-reading-time rt-reading-time\" style=\"display: block;\"><span class=\"rt-label rt-prefix\">\u23f3 Approximate reading time: <\/span> <span class=\"rt-time\"> 3<\/span> <span class=\"rt-label rt-postfix\">mins<\/span><\/span>Hesse, Doug. &quot;Who Owns Writing?&quot; CCC 57.2 (2005): 335-357.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[174],"tags":[1132,1264,434,1697,214,195,839,1547,178,1698,1699,441,240,1403,1700,1701,278,1113,1646,1702,1703,143,1283,1704,1705,1706,1707,1708,1709,140],"class_list":["post-7085","post","type-post","status-publish","format-standard","hentry","category-writing_technol","tag-academic","tag-address","tag-assessment","tag-automation","tag-belletristic","tag-blogs","tag-catalog","tag-civic","tag-composition","tag-frames","tag-framing","tag-image","tag-institution","tag-objectivity","tag-obliged","tag-ownership","tag-pedagogy","tag-personal","tag-practitioner","tag-press","tag-publicity","tag-research","tag-responsibility","tag-rights","tag-scrapbooks","tag-self-sponsored","tag-teaching-cccc","tag-vocational","tag-wikipedia","tag-writing"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - 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Eds. Gail E. Hawisher and Cynthia L. Selfe. Urbana, Ill.: NCTE, 1999. 34-48. Considering then-formidable digital avenues, such as home pages and listservs, Hesse issues a preservationist argument for the essay. The provisional, self-reflective, scrap-collecting models\u2026","rel":"","context":"In &quot;Writing Technologies&quot;","block_context":{"text":"Writing Technologies","link":"https:\/\/www.earthwidemoth.com\/blog\/category\/writing_technol\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":6022,"url":"https:\/\/www.earthwidemoth.com\/blog\/2004\/02\/29\/barbwired-teach\/","url_meta":{"origin":7085,"position":1},"title":"(barb)Wired Teaching Environs","author":"Derek Mueller","date":"February 29, 2004","format":false,"excerpt":"\u00a0Administrators with responsibilities for writing programs will 6. develop equitable policies for ownership of intellectual property that take effect before online classes commence. After reading the C's statement on teaching, learning and assessment in digital environments on Friday, I've been wondering about the risks of working at the intersection of\u2026","rel":"","context":"In &quot;Dry Ogre Chalking&quot;","block_context":{"text":"Dry Ogre Chalking","link":"https:\/\/www.earthwidemoth.com\/blog\/category\/dry_ogre_chalking\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":7119,"url":"https:\/\/www.earthwidemoth.com\/blog\/2008\/01\/24\/writing-center\/","url_meta":{"origin":7085,"position":2},"title":"Writing Center Orientation 2008","author":"Derek Mueller","date":"January 24, 2008","format":false,"excerpt":"Reigstad, Thomas J. and Donald A. McAndrew. Tutoring Writing: A Practical Guide for Conferences. Portsmouth: Boynton\/Cook, 2001. 1-30. These four chapters work through general points related to writing center work. Each chapter consists of bullet-list-like entries, and, as such, the summary notes are best presented as follows: Chapter One: Theories\u2026","rel":"","context":"In &quot;Writing Center&quot;","block_context":{"text":"Writing Center","link":"https:\/\/www.earthwidemoth.com\/blog\/category\/writing_center\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":6993,"url":"https:\/\/www.earthwidemoth.com\/blog\/2006\/07\/05\/phelps-the-doma\/","url_meta":{"origin":7085,"position":3},"title":"Phelps, &#8220;The Domain of Composition&#8221;","author":"Derek Mueller","date":"July 5, 2006","format":false,"excerpt":"Phelps, Louise Wetherbee. \"The Domain of Composition.\" Rhetoric Review 4 (1986): 182-95. Phelps frames the field of composition studies by identifying its domain, a term she uses both as \"a scene of action\" and also \"a space one controls.\" Tracing through each of these senses of \"domain,\" Phelps accounts for\u2026","rel":"","context":"In &quot;Writing Technologies&quot;","block_context":{"text":"Writing Technologies","link":"https:\/\/www.earthwidemoth.com\/blog\/category\/writing_technol\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":10585,"url":"https:\/\/www.earthwidemoth.com\/blog\/2026\/03\/27\/blank-in-the-loop-writing-warm-ups\/","url_meta":{"origin":7085,"position":4},"title":"[Blank]-in-the-loop Writing Warm-ups","author":"Derek Mueller","date":"March 27, 2026","format":false,"excerpt":"Having posted and circulated by email, listserv, and social media, this latest CFP for an upcoming Sweetland Digital Rhetoric Collaborative blog carnival on [blank]-in-the-loop writing, I thought why not list a magnitude order of variations in the style of skipping rope one hundred times. Shoop-in-the-loop writing; Chicken-in-the-loop writing; Dog-park-in-the-loop writing;\u2026","rel":"","context":"In &quot;Rhythms&quot;","block_context":{"text":"Rhythms","link":"https:\/\/www.earthwidemoth.com\/blog\/category\/rhythms\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":6868,"url":"https:\/\/www.earthwidemoth.com\/blog\/2007\/12\/17\/an-address\/","url_meta":{"origin":7085,"position":5},"title":"An Address","author":"Derek Mueller","date":"December 17, 2007","format":false,"excerpt":"Today's Strange Maps shows a map of 'the island' in Lost, and in the discussion, there is a question about naming, an observation that it is peculiar that the island is un-named.\u00a0 In one sense, the LAT-LON coordinates name the island, locate it, provide it with an address (I would\u2026","rel":"","context":"In &quot;Media&quot;","block_context":{"text":"Media","link":"https:\/\/www.earthwidemoth.com\/blog\/category\/media_massage\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.earthwidemoth.com\/blog\/img\/lost.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/www.earthwidemoth.com\/blog\/wp-json\/wp\/v2\/posts\/7085","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.earthwidemoth.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.earthwidemoth.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.earthwidemoth.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.earthwidemoth.com\/blog\/wp-json\/wp\/v2\/comments?post=7085"}],"version-history":[{"count":0,"href":"https:\/\/www.earthwidemoth.com\/blog\/wp-json\/wp\/v2\/posts\/7085\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.earthwidemoth.com\/blog\/wp-json\/wp\/v2\/media?parent=7085"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.earthwidemoth.com\/blog\/wp-json\/wp\/v2\/categories?post=7085"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.earthwidemoth.com\/blog\/wp-json\/wp\/v2\/tags?post=7085"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}