{"id":7067,"date":"2006-11-04T12:12:20","date_gmt":"2006-11-04T12:12:20","guid":{"rendered":"http:\/\/www.earthwidemoth.com\/blog\/2006\/11\/04\/johnsoneilola-t\/"},"modified":"2006-11-04T12:12:20","modified_gmt":"2006-11-04T12:12:20","slug":"johnsoneilola-t","status":"publish","type":"post","link":"https:\/\/www.earthwidemoth.com\/blog\/2006\/11\/04\/johnsoneilola-t\/","title":{"rendered":"Johnson-Eilola, &#8220;The Database and the Essay&#8221;"},"content":{"rendered":"<span class=\"span-reading-time rt-reading-time\" style=\"display: block;\"><span class=\"rt-label rt-prefix\">\u23f3 Approximate reading time: <\/span> <span class=\"rt-time\"> 3<\/span> <span class=\"rt-label rt-postfix\">mins<\/span><\/span>\n<p style=\"text-indent: -0.5in; margin-left: 0.5in; margin-bottom: 0in\">Johnson-Eilola,<br \/>\n          Johndan. &quot;The Database and the Essay: Understanding Composition<br \/>\n          as Articulation.&quot;<br \/>\n          <i>Writing New Media: Theory and Applications for Expanding<br \/>\n          the Teaching of Composition<\/i>. Wysocki et. al., eds. Logan: Utah State Univ. Press, 2004. 199-226.<\/p>\n<p><!--more--><\/p>\n<p>Johnson-Eilola both suggests and, to a degree, enacts a fragmentary,<br \/>\ncontingent sort of <b>postmodern textuality<\/b> in &quot;The Database and the Essay.&quot;<br \/>\nHe applies <b>articulation theory<\/b> and <b>symbolic-analytic work<\/b>, as he<br \/>\ndoes in <i>Datacloud<\/i>, to make sense of what he calls <b>fragmentary texts<\/b>&#8211;the<br \/>\nsmall pieces joined by links and other connective systems built upon discursive<br \/>\nnetworks. The essay begins with questions about <b>where texts come from<\/b>.<br \/>\nDrawing on Porter&#8217;s <b>intertextuality<\/b>, in the first half of the essay<br \/>\nJohnson-Eilola explains the implications of <b>intellectual property<\/b> law (as<br \/>\nwell as the limits of copyright) (203). Intellectual property law, he says, is<br \/>\ncatching up with postmodern textuality, leaving us with two contending poles:<br \/>\nprivate, owned, and controlled versus shared, fragmentary, free, and contingent.<br \/>\nRelated are two trajectories: the decline of the unified subject and texts that<br \/>\ncirculate free of economic bearing (academic) and the rise of fragmentation with<br \/>\nrecognition of the value of such texts (private and proprietary) (212).<\/p>\n<p>Ultimately, this adds up to two considerations for writing teachers:<\/p>\n<ol>\n<li>Because we can&#8217;t detach writing from economic forces, <b>expanded notions<br \/>\n  of writing<\/b> outside the classroom justify our work with writing in a<br \/>\n  &quot;broader sphere&#8230;rather than a narrower one&quot; (212). <\/li>\n<li><b>Collection<\/b> is social and political; the &quot;new notion of writing&quot;<br \/>\n  values <b>connection<\/b> (stringing the contingent and fragmentary together)<br \/>\n  (212).<\/li>\n<\/ol>\n<p>Toward examples of the postmodern textuality he sets out to explain with<br \/>\narticulation theory and symbolic-analytic work, Johnson-Eilola describes for<br \/>\nemerging forms of writing in the second half of the essay: <b>blogs<\/b> (213),<br \/>\n<b>databases<\/b> and <b>search engines<\/b> (perhaps two separate forms here)<br \/>\n(218), <b>nonlinear media editing<\/b> (223), and <b>web architectures<\/b> (225).\n<\/p>\n<p>Key terms: Robert Reich&#8217;s symbolic-analytic work (201), Hall&#8217;s articulation<br \/>\ntheory (201). originality (206), Hall on contingent meanings (207), deep linking<br \/>\n(210), linking policies (211), narrowcasting (211), Web Logs (213), postmodern<br \/>\ntextuality (215), search engines (220).<\/p>\n<p>&quot;&#8217;All texts are <b>interdependent<\/b>: We understand a text only as far as we<br \/>\nunderstand its ancestors&#8217; (&quot;Intertextuality&quot; 34). But this interdependence of<br \/>\ntexts is not without its own rifts, ruptures, and politics. In a <b>bizarre way<\/b>,<br \/>\nthe very <b>interconnected nature<\/b> of texts <b>holds them apart<\/b>&quot; (200).<br \/>\n^Work through this &quot;bizarre way&quot; and holding apart in connection. A database<br \/>\nparadox?<\/p>\n<p>&quot;<b>Symbolic-analytic work<\/b> focuses on the <b>manipulation of information<\/b><br \/>\nand suggests <b>connections<\/b> to a new form of writing or a new way of<br \/>\nconceiving of writing in <b>response to the breakdown of textuality<\/b>&quot; (201).<\/p>\n<p>&quot;<b>Articulation<\/b> involves the idea that <b>ideology<\/b> functions <b>like<\/b><br \/>\na <b>language<\/b>, being <b>constructed contingently across groups of people<\/b><br \/>\nover time and from context to context&quot; (201).<\/p>\n<p>&quot;Following this brief set of analyses, I&#8217;ll attempt to play this breakdown in<br \/>\n<b>IP<\/b> through the lenses of articulation theory and symbolic-analytic work<br \/>\nto describe some emerging forms of writing. These new forms of writing are<br \/>\ninteresting because they take the generally debilitating trends of IP law (the<br \/>\nfragmentation of content, the commoditization of text, the loss of context) and<br \/>\nmake something useful. In a recuperative move, the <b>new form<\/b>s of writing<br \/>\n<b>use fragmentation<\/b>, <b>loss of context<\/b>, and <b>circulation<\/b> as<br \/>\nmethods for <b>creating new structures<\/b>&quot; (204).<\/p>\n<p>&quot;The bulk of this chapter deals with the <b>separation<\/b> we&#8211;I mean &#8216;we&#8217; as<br \/>\nrhet\/comp academics, but also, in this particular case, &#8216;we&#8217; as the general<br \/>\npublic&#8211;have constructed between &#8216;<b>writing<\/b>&#8216; and &#8216;<b>compilation<\/b>&#8216;. In<br \/>\nquestioning this division, I&#8217;m trying to get at an understanding of writing more<br \/>\n<b>properly suited<\/b> to the role writing plays in our culture&quot; (205).<\/p>\n<p>&quot;For better or worse&#8211;or, in fact, for better and worse&#8211;<b>texts<\/b> no<br \/>\nlonger function as <b>discrete objects<\/b>, but as <b>contingent, fragmented<br \/>\nobjects<\/b> in circulation, as elements within constantly configured and<br \/>\nshifting <b>networks<\/b>&quot; (208). <\/p>\n<p>&quot;In an important sense, understanding the <b>search engine<\/b> as itself a <b><br \/>\nform of writing<\/b> helps us understand the relationship between <b>composition<\/b><br \/>\nand <b>programming<\/b>: a search engine works by <b>automatic, contingent<br \/>\nrhetorics<\/b>&quot; (220). ^Work through &quot;automatic, contingent rhetorics.&quot;<\/p>\n<p>&quot;Indeed, <b>search engines<\/b> make concrete and visible many of the things<br \/>\nthat hypertext theorists have long argued for: <b>contingent<\/b>, <b>networked<br \/>\ntexts<\/b>, composed with large and shifting social spaces out of literally<br \/>\nmillions of voices&quot; (221).<\/p>\n<p>&quot;Important to my overall project here are the ways that articulation theory<br \/>\nand symbolic-analytic work moves through <b>fragmentation<\/b>. They don&#8217;t deny<br \/>\nthe force of <b>postmodernism<\/b> or postmodern capitalism. Instead,<br \/>\narticulation theory requires a responsible stance toward contingency and<br \/>\nfragmentation. From an articulation theory stance, <b>writers<\/b>&#8211;or <b><br \/>\ndesigners<\/b>, more accurately&#8211;<b>actively map fragments back into contexts<br \/>\nrecursively<\/b>&quot; (226). <\/p>\n","protected":false},"excerpt":{"rendered":"<p><span class=\"span-reading-time rt-reading-time\" style=\"display: block;\"><span class=\"rt-label rt-prefix\">\u23f3 Approximate reading time: <\/span> <span class=\"rt-time\"> 3<\/span> <span class=\"rt-label rt-postfix\">mins<\/span><\/span>Johnson-Eilola, Johndan. &quot;The Database and the Essay: Understanding Composition as Articulation.&quot; Writing New Media: Theory and Applications for Expanding the Teaching of Composition. Wysocki et. al., eds. Logan: Utah State Univ. Press, 2004. 199-226.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[176],"tags":[1167,1510,195,1511,178,1512,404,1513,280,423,1514,1053,1515,1165,937,282,553,1516,835,1517,1171,2026,1509,140],"class_list":["post-7067","post","type-post","status-publish","format-standard","hentry","category-visuality_and_n","tag-articulation","tag-authorship","tag-blogs","tag-compilation","tag-composition","tag-connection","tag-context","tag-contingent","tag-copyright","tag-database","tag-deconstruction","tag-essay","tag-fairuse","tag-hall","tag-hypertext","tag-ip","tag-language","tag-law","tag-originality","tag-permission","tag-postmodernism","tag-public-domain","tag-reich","tag-writing"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Johnson-Eilola, &quot;The Database and the Essay&quot; - Earth Wide Moth<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.earthwidemoth.com\/blog\/2006\/11\/04\/johnsoneilola-t\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Johnson-Eilola, &quot;The Database and the Essay&quot; - Earth Wide Moth\" \/>\n<meta property=\"og:description\" content=\"\u23f3 Approximate reading time:  3 minsJohnson-Eilola, Johndan. &quot;The Database and the Essay: Understanding Composition as Articulation.&quot; Writing New Media: Theory and Applications for Expanding the Teaching of Composition. 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Eds. Gail E. Hawisher and Cynthia L. Selfe. Urbana, Ill.: NCTE, 1999. 349-368. Literacy is storied in a host of distinctive ways, yet as\u2026","rel":"","context":"In &quot;Writing Technologies&quot;","block_context":{"text":"Writing Technologies","link":"https:\/\/www.earthwidemoth.com\/blog\/category\/writing_technol\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":7009,"url":"https:\/\/www.earthwidemoth.com\/blog\/2006\/07\/27\/selfe-and-selfe-2\/","url_meta":{"origin":7067,"position":1},"title":"Selfe and Selfe, &#8220;Intellectual Work of Computers and Composition&#8221;","author":"Derek Mueller","date":"July 27, 2006","format":false,"excerpt":"Selfe, Cynthia J. and Richard J. Selfe, Jr. \"The Intellectual Work of Computers and Composition Studies.\" Olson 203-220. According to Selfe and Selfe, four characteristics characterize intellectual work in computers and composition: grounding in language studies and social theory; a belief in social justice (204); commitment to school settings as\u2026","rel":"","context":"In &quot;Writing Technologies&quot;","block_context":{"text":"Writing Technologies","link":"https:\/\/www.earthwidemoth.com\/blog\/category\/writing_technol\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":7069,"url":"https:\/\/www.earthwidemoth.com\/blog\/2006\/11\/05\/george-from-ana\/","url_meta":{"origin":7067,"position":2},"title":"George, &#8220;From Analysis to Design&#8221;","author":"Derek Mueller","date":"November 5, 2006","format":false,"excerpt":"George, Diana. \"From Analysis to Design: Visual Communication in the Teaching of Writing.\" CCC 54.1 (2002): 11-39. In this oft-cited essay, Diana George accounts for the vexed relationship between composition studies and visuality or visual studies. Only in rare cases does one find imaginative curricula that engage with visuality as\u2026","rel":"","context":"In &quot;Visuality and New Media&quot;","block_context":{"text":"Visuality and New Media","link":"https:\/\/www.earthwidemoth.com\/blog\/category\/visuality_and_n\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":6090,"url":"https:\/\/www.earthwidemoth.com\/blog\/2004\/05\/16\/dangelo-1977-in\/","url_meta":{"origin":7067,"position":3},"title":"D&#8217;Angelo, 1977, &#8220;Intelligible Structure&#8221;","author":"Derek Mueller","date":"May 16, 2004","format":false,"excerpt":"\u00a0D'Angelo, Frank. \"The Search for Intelligible Structure in the Teaching of Composition.\" On Writing Research: The Braddock Essays, 1975-1998. Ed. Lisa Ede. New York: Bedford St. Martin's, 1999. 51-59. Big Idea Look!\u00a0 We, compositionists, are disciplinarily vital. We have an epicenter, proven radials, recognizable and defensible structures holding our work\u2026","rel":"","context":"In &quot;Reading Notes&quot;","block_context":{"text":"Reading Notes","link":"https:\/\/www.earthwidemoth.com\/blog\/category\/reading_notes\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":7025,"url":"https:\/\/www.earthwidemoth.com\/blog\/2006\/08\/30\/rice-the-1963-c\/","url_meta":{"origin":7067,"position":4},"title":"Rice, &#8220;The 1963 Composition Revolution&#8221;","author":"Derek Mueller","date":"August 30, 2006","format":false,"excerpt":"Rice, Jeff . \"The 1963 Composition Revolution Will Not be Televised, Computed, or Demonstrated by Any Other Means of Technology.\" Composition Studies 33.1 (2005): 55-73. Composition's grand narrative which cites, across multiple sources, 1963 as the watershed moment for the field--a \"revolutionary\" resurgence in legitimacy anchored with the CCCC convention\u2026","rel":"","context":"In &quot;Writing Technologies&quot;","block_context":{"text":"Writing Technologies","link":"https:\/\/www.earthwidemoth.com\/blog\/category\/writing_technol\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":6095,"url":"https:\/\/www.earthwidemoth.com\/blog\/2004\/05\/22\/porter-et-al-20\/","url_meta":{"origin":7067,"position":5},"title":"Porter, et al., 2001, &#8220;Institutional Critique&#8221;","author":"Derek Mueller","date":"May 22, 2004","format":false,"excerpt":"\u00a0Porter, James, et. al. \"Institutional Critique: A Rhetorical Methodology for Change.\" CCC 51 (2000): 610-642. Big Idea Institutions can be changed through rhetorical activism.\u00a0 Porter and company develop broad model for institutional critique driven by rhetoricians as agents for change and pomo geographical interrogations to stage institutional dynamics (needing change).\u00a0\u2026","rel":"","context":"In &quot;Reading Notes&quot;","block_context":{"text":"Reading Notes","link":"https:\/\/www.earthwidemoth.com\/blog\/category\/reading_notes\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/www.earthwidemoth.com\/blog\/wp-json\/wp\/v2\/posts\/7067","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.earthwidemoth.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.earthwidemoth.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.earthwidemoth.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.earthwidemoth.com\/blog\/wp-json\/wp\/v2\/comments?post=7067"}],"version-history":[{"count":0,"href":"https:\/\/www.earthwidemoth.com\/blog\/wp-json\/wp\/v2\/posts\/7067\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.earthwidemoth.com\/blog\/wp-json\/wp\/v2\/media?parent=7067"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.earthwidemoth.com\/blog\/wp-json\/wp\/v2\/categories?post=7067"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.earthwidemoth.com\/blog\/wp-json\/wp\/v2\/tags?post=7067"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}