{"id":7035,"date":"2006-09-07T08:57:22","date_gmt":"2006-09-07T08:57:22","guid":{"rendered":"http:\/\/www.earthwidemoth.com\/blog\/2006\/09\/07\/lefevre-inventi\/"},"modified":"2006-09-07T08:57:22","modified_gmt":"2006-09-07T08:57:22","slug":"lefevre-inventi","status":"publish","type":"post","link":"https:\/\/www.earthwidemoth.com\/blog\/2006\/09\/07\/lefevre-inventi\/","title":{"rendered":"LeFevre, <i>Invention as a Social Act<\/i>"},"content":{"rendered":"<span class=\"span-reading-time rt-reading-time\" style=\"display: block;\"><span class=\"rt-label rt-prefix\">\u23f3 Approximate reading time: <\/span> <span class=\"rt-time\"> 3<\/span> <span class=\"rt-label rt-postfix\">mins<\/span><\/span>\n<p style=\"text-indent: -0.5in; margin-left: 0.5in; margin-bottom: 0in\">LeFevre,<br \/>\n          Karen Burke. <i>Invention as a Social Act<\/i>. Studies in Writing and<br \/>\n          Rhetoric Ser. Carbondale: Southern Illinois UP, 1987.<\/p>\n<p><!--more--><\/p>\n<p><i>Invention as a Social Act<\/i> is a landmark book on rhetorical invention.<br \/>\nLefevre introduces &quot;a more adequate terminology&quot; for rhetorical invention,<br \/>\ncomplicating commonplace associations between the &quot;generation of ideas&quot; and the<br \/>\nPlatonic view of invention as inside-out, wrought from a transcendent<br \/>\ninteriority moving toward pure forms. Lefevre is clear about individualism<br \/>\nhaving a proper place, but she contends that it is &quot;overdone&quot; and that the<br \/>\nsolitary, inspired inventor (rel. to Emersonian self-reliance; seed metaphor;<br \/>\nand invention as private episode) is inadequate for its neglect of environmental<br \/>\nfactors constitutive of thought and language. <\/p>\n<p>Lefevre sets up contrastive terms early on: narrow-broad, rhetorical-general,<br \/>\nand reflective-dynamic (5). Reflective invention relates to copy theory;<br \/>\ndynamic invention relates to inquiry and the creation of something new. She<br \/>\nexplains why composition studies, in the 19th and 20th centuries, favored the<br \/>\nPlatonic view: the influence of literary studies (15), Romantic figure of the<br \/>\ninspired writer (17); and capitalism and individualism (19). In an effort to<br \/>\ncomplicate the Platonic view, she proposes a continuum running across<br \/>\n<a href=\"http:\/\/eris.earthwidemoth.com\/doc\/KBLInvention.pdf\">four views<\/a> on<br \/>\ninvention (we might consider these as scalar): Platonic perspective, internal<br \/>\ndialogic perspective, collaborative perspective, and social collective<br \/>\nperspective.<\/p>\n<p>George Herbert Mead on <b>invention as collaboration<\/b>: gesture,<br \/>\nattribution or interpretation, and response or adjustive reaction (62).<br \/>\nBefore the final chapter (implications), Lefevre works through an extended<br \/>\nconsideration of the relation between thought and language. <\/p>\n<p>Limitations of the Platonic view:<\/p>\n<ul>\n<li>&quot;A Platonic view of invention leads us to favor individualistic approaches<br \/>\n  to research and to neglect studies of writers in social contexts&quot; (23).<\/li>\n<li>&quot;A Platonic view depicts invention as a closed, one-way system&quot; (24).<\/li>\n<li>&quot;A Platonic view abstracts the writer from society&quot; (25).<\/li>\n<li>&quot;A Platonic view assumes and promotes the concept of the atomistic self as<br \/>\n  inventor&quot; (26).<\/li>\n<li>&quot;A Platonic view fails to acknowledge that invention is collaborative&quot;<br \/>\n  (29).<\/li>\n<\/ul>\n<p>Terms: Bateson on skin and boundedness (29), Tillie Olsen&#8217;s &quot;leech-writers&quot;<br \/>\n(30), dialectical process (35), deep temporal structures (41d), Aristotle and<br \/>\nsocial context (45), Moffett&#8217;s categories of discourse (<b>reflection,<br \/>\nconversation, correspondence, publication<\/b>) (48), <b>systems of invention<br \/>\n(50)*<\/b>, daimonion (56), idealogue v. dialogue (56), Sullivan&#8217;s &quot;supervisory<br \/>\npatterns&quot; (57), tagmemic invention (Young, Becker, Pike) (58), Elbow&#8217;s &quot;safe<br \/>\naudience&quot; (61), Lasswell&#8217;s resonance and vibration (65), copy theory (95),<br \/>\nPiaget&#8217;s &quot;autistic thought&quot; (102), Vygotsky on &quot;knot&quot; (118) and &quot;<b>cloud<\/b>&quot;<br \/>\n(119), Lasswell <b>&quot;ecology of innovation&quot;<\/b> (126), Gage on &quot;stasis&quot;<br \/>\n(138). <\/p>\n<p>&quot;This study argues that rhetorical invention is better understood as <b>a<br \/>\nsocial act<\/b>, in which an individual who is at the same time a social being <b><br \/>\ninteracts<\/b> in a distinctive way with society and culture <b>to create<br \/>\nsomething&quot;<\/b> (1).<\/p>\n<p>&quot;Invention becomes explicitly social when writers involve other people as<br \/>\ncollaborators, or as reviewers whose comments aid invention, or as &#8216;resonators&#8217;<br \/>\nwho nourish the development of ideas&quot; (2). <\/p>\n<p>&quot;More particularly, composition theory and pedagogy in nineteenth and<br \/>\ntwentieth century America have been founded on a Platonic view of invention, one<br \/>\nwhich assumes that the individual possesses innate knowledge or mental<br \/>\nstructures that are the chief source of invention&quot; (11).<\/p>\n<p>&quot;To understand rhetorical invention, it is useful to restore this double<br \/>\nmeaning of &#8216;action&#8217; and think of the act of invention as having two parts: the<br \/>\ninitiation of the inventive act and the reception or execution of it&quot; (38). <\/p>\n<p>&quot;[Laswell&#8217;s] &#8216;<b>clustering<\/b>&#8216; of creative thinkers has led some to<br \/>\nconclude that creativity is not merely a chance manifestation of biological or<br \/>\npsychological factors, but is subject to <b>environmental influence<\/b>&quot; (66).\n<\/p>\n<p>&quot;Applying this continuum to existing inventional theories allows us to see<br \/>\nthat composition has favored Platonic and internal dialogic views of invention,<br \/>\nand that while the field has begun to acknowledge some collaborative aspects of<br \/>\ninvention, it has neglected others and has virtually ignored a collective view&quot;<br \/>\n(94). <\/p>\n<dl>\n<dt>Related sources<\/dt>\n<dd>Bateson, Gregory. <em>Steps to an Ecology of Mind<\/em>. New York: Ballantine, 1972.<\/dd>\n<dd>Lakoff, George, and Mark Johnson. <em>Metaphors We Live By<\/em>. Chicago: U of<br \/>\n  Chicago P, 1980.<\/dd>\n<dd>Lasswell, Harold D. &quot;The Social Setting of Creativity.&quot; In <i>Creativity<br \/>\n  and Its Cultivation<\/i>. Ed. Harold H. Anderson, 203-21. New York: Harper &amp;<br \/>\n  Brothers, 1959.<\/dd>\n<\/dl>\n","protected":false},"excerpt":{"rendered":"<p><span class=\"span-reading-time rt-reading-time\" style=\"display: block;\"><span class=\"rt-label rt-prefix\">\u23f3 Approximate reading time: <\/span> <span class=\"rt-time\"> 3<\/span> <span class=\"rt-label rt-postfix\">mins<\/span><\/span>LeFevre, Karen Burke. Invention as a Social Act. Studies in Writing and Rhetoric Ser. Carbondale: Southern Illinois UP, 1987.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[174],"tags":[1220,699,184,1218,267,254,1221,178,404,847,182,1222,1223,286,1224,938,921,1225,887,271,553,278,1219,130,469,1226,1227,1228,185,626,1229,417,1230,1231,140],"class_list":["post-7035","post","type-post","status-publish","format-standard","hentry","category-writing_technol","tag-act","tag-action","tag-agency","tag-aristotle","tag-autonomy","tag-collaboration","tag-collectives","tag-composition","tag-context","tag-copy","tag-dialectic","tag-dialogue","tag-dynamic","tag-epistemic","tag-gesture","tag-individual","tag-inquiry","tag-internal","tag-interpretation","tag-invention","tag-language","tag-pedagogy","tag-plato","tag-process","tag-reality","tag-reflective","tag-resonance","tag-response","tag-rhetoric","tag-social","tag-symbol","tag-theory","tag-thought","tag-windowpane","tag-writing"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>LeFevre, Invention as a Social Act - Earth Wide Moth<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.earthwidemoth.com\/blog\/2006\/09\/07\/lefevre-inventi\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"LeFevre, Invention as a Social Act - Earth Wide Moth\" \/>\n<meta property=\"og:description\" content=\"\u23f3 Approximate reading time:  3 minsLeFevre, Karen Burke. 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Eds. Janet Atwill and Janice Lauer. Knoxville, Tenn.: Univ. of Tennessee P, 2002. 36-52. Lyon works at the intersection of rhetoric and hermeneutics in an effort to make sense of the relationship between the two concepts. To weigh the terms and\u2026","rel":"","context":"In \"audience\"","block_context":{"text":"audience","link":"https:\/\/www.earthwidemoth.com\/blog\/tag\/audience\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":7290,"url":"https:\/\/www.earthwidemoth.com\/blog\/2010\/09\/23\/good-ideas\/","url_meta":{"origin":7035,"position":1},"title":"Good Ideas","author":"Derek Mueller","date":"September 23, 2010","format":false,"excerpt":"I like much of Steven Johnson's stuff, and undoubtedly I will pick up a copy of his latest book project, Where Good Ideas Come From, though probably not until next summer. As I watched this TEDtalk, though, I'm dissatisfied with how little work on rhetorical invention surfaces here. 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When I used to play prisoner's base in the Luxembourg, what I liked best was not provoking the other team and boldly exposing myself to\u2026","rel":"","context":"In &quot;Reading Notes&quot;","block_context":{"text":"Reading Notes","link":"https:\/\/www.earthwidemoth.com\/blog\/category\/reading_notes\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":7095,"url":"https:\/\/www.earthwidemoth.com\/blog\/2007\/06\/09\/lauer-heuristic\/","url_meta":{"origin":7035,"position":3},"title":"Lauer, &quot;Heuristics and Composition&quot;","author":"Derek Mueller","date":"June 9, 2007","format":false,"excerpt":"Lauer, Janice. \"Heuristics and Composition.\" CCC 21.5 (1970): 396-404. Lauer formulates a centrifugal gesture, urging compositionists to turn to psychology and other fields presently discussing invention in such a way that would aid in \"the creation of a potent contemporary rhetoric\" (397). 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