{"id":6959,"date":"2008-06-08T22:30:09","date_gmt":"2008-06-08T22:30:09","guid":{"rendered":"http:\/\/www.earthwidemoth.com\/blog\/2008\/06\/08\/reanimation\/"},"modified":"2008-06-08T22:30:09","modified_gmt":"2008-06-08T22:30:09","slug":"reanimation","status":"publish","type":"post","link":"https:\/\/www.earthwidemoth.com\/blog\/2008\/06\/08\/reanimation\/","title":{"rendered":"Reanimation"},"content":{"rendered":"\u23f3 Approximate reading time: <\/span> 2<\/span> mins<\/span><\/span>

\n<\/p>\n

The Reanimation Library<\/a>
\nin Brooklyn (via<\/a>)
\noffers a collection of discarded and found books not likely to be held elsewhere:
\ncurios, out-of-print, wonders. Here librarianship is inflected with an art
\naesthetic (perhaps more outwardly or radically than in the common case). There seems to be more than rarity justifying the in-status of the
\nbooks; but it is a sort of rare collection, one inflected with the idiosyncratic
\nimpulses and tastes of the collector. The 600-book collection raises the question of whether it is
\nsimply an installation called by the name of library. The mission
\nstatement:<\/p>\n

\n\tThe Reanimation Library seeks to assemble an inspiring collection of
\n\tresources that will facilitate the production of new creative work and
\n\tpromote reflection and research into the historical, legal, and
\n\tmethodological questions surrounding the adaptive reuse of found materials.
\n\tIt strives to provide the necessary space and tools to allow these
\n\tactivities to flourish, and to foster a climate of spirited collaboration.\n<\/p><\/blockquote>\n

"Adaptive reuse of found materials" and so on: sounds like ideas that would
\nserve well as the guiding impetuses for a composition course–one I’d like to
\nteach, anyway. The Thingology entry refers to
\nthis recent
\nreport from the Minneapolis City Pages<\/a>; both of them mention
\nDewey’s Nightmare<\/a>, a
\nplaywriting experiment tied to the Reanimation Library in which seven writers
\nwear blindfolds and pick one book each randomly from the stacks. Their
\nchallenge, then, is to shape the random sample into something for the stage.
\nQuite a methodology, and one not unlike the stuff Sirc discusses in "Box-Logic":
\nthe found collection, the interplay of contingent samples and selections,
\nrenewal in re-coordinating affinities, pulsion, etc.<\/p>\n

Don’t miss the
\ncatalog<\/a> or the pile of
\nimages<\/a>. <\/p>\n","protected":false},"excerpt":{"rendered":"

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