{"id":6523,"date":"2006-03-11T19:50:07","date_gmt":"2006-03-11T19:50:07","guid":{"rendered":"http:\/\/www.earthwidemoth.com\/blog\/2006\/03\/11\/the-cuttlefish\/"},"modified":"2006-03-11T19:50:07","modified_gmt":"2006-03-11T19:50:07","slug":"the-cuttlefish","status":"publish","type":"post","link":"https:\/\/www.earthwidemoth.com\/blog\/2006\/03\/11\/the-cuttlefish\/","title":{"rendered":"The Cuttlefish and Its Ink"},"content":{"rendered":"\u23f3 Approximate reading time: <\/span> 2<\/span> mins<\/span><\/span>

From Barthes’ RB<\/i>:<\/p>\n

I am writing this day after day; it takes, it sets: the
\ncuttlefish produces its ink: I tie up my image-system (in order to protest
\nmyself and at the same time to offer myself).<\/p>\n

How will I know that the book is finished? In other words,
\nas always, it is a matter of elaborating a language. Now, in every
\nlanguage the signs return, and by dint of returning they end by saturating the
\nlexicon–the work. Having uttered the substance of these fragments for some
\nmonths, what happens to me subsequently is arranged quite spontaneously (without
\nforcing) under the utterances that have already been made: the structure is
\ngradually woven, and in creating itself, it increasingly magnetizes: thus it
\nconstructs for itself, without any plan on my part, a repertoire which is both
\nfinite and perpetual, like that of language. At a certain moment, no further
\ntransformation is possible but the one which occurred to the
\nship<\/a>
\n
\n
\nArgo<\/a><\/i>: I could keep the book a very long time, by gradually changing each
\nof its fragments. (163-4) <\/p><\/blockquote>\n

It didn’t spring to mind while I was resting face-up in the MRI
\nmachine yesterday afternoon (tomorrow’s entry?), but I eventually settled on a
\ntitle for WRT302, as I noted
\nin the
\ncomments<\/a> following yesterday’s entry expressing my dilemma, a title brought
\nabout by RB’s bit above. So it’ll be WRT302: The Digital and Its Links<\/i>.
\nI thought about The Network and Its Links<\/i>, but opted for the former.
\nPlus I had a thousand really good suggestions, all of which I’d have done well
\nto take up. The course proper is still six months out; I wanted something
\nsplashy enough to attract enrollments and also something that makes theoretical
\nsense to me–something that would motivate me toward working carefully through
\nthe many decisions between now and then. I really like the way RB gets at
\nthe ratio between stabilization and drift, the inter-portions of anchor and
\nflotation, between a buried bow in the sand and a three-thousand year voyage.
\nThe "image-system" generalizes to digital composition quite effectively, I’d
\nargue; arrangement and spontaneity, "structure is gradually woven." Could
\nbe true of…. And so it will do. Not to mention, when I decided,
\nyes, this is it<\/i>, I still had the metallic grind and industrial deep-buzz of
\nthe body-part scanner lasting with me into the evening; all the more appeal for
\nthe idea of composition as the increasing magnetization of ongoing attempts.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u23f3 Approximate reading time: <\/span> 2<\/span> mins<\/span><\/span>From Barthes’ RB: I am writing this day after day; it takes, it sets: the cuttlefish produces its ink: I tie up my image-system (in order to protest myself and at the same time to offer myself). How will I know that the book is finished? In other words, as always, it is a matter…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[163],"tags":[400,520,291,140],"class_list":["post-6523","post","type-post","status-publish","format-standard","hentry","category-dry_ogre_chalking","tag-barthes","tag-digital","tag-teaching","tag-writing"],"yoast_head":"\nThe Cuttlefish and Its Ink - Earth Wide Moth<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.earthwidemoth.com\/blog\/2006\/03\/11\/the-cuttlefish\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Cuttlefish and Its Ink - Earth Wide Moth\" \/>\n<meta property=\"og:description\" content=\"\u23f3 Approximate reading time: 2 minsFrom Barthes’ RB: I am writing this day after day; it takes, it sets: the cuttlefish produces its ink: I tie up my image-system (in order to protest myself and at the same time to offer myself). 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Trans. Stephen Heath. New York: Hill and Wang, 1977. 142-148. Barthes advances several important (now \"given\") theoretical maneuvers in defining writing as \"performative,\" in destabilizing the role of intentionality in reading, and in involving the reader as an equal (if unknowable) participant\u2026","rel":"","context":"In "Writing Technologies"","block_context":{"text":"Writing Technologies","link":"https:\/\/www.earthwidemoth.com\/blog\/category\/writing_technol\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":6617,"url":"https:\/\/www.earthwidemoth.com\/blog\/2006\/09\/07\/no-last-word\/","url_meta":{"origin":6523,"position":1},"title":"No Last Word","author":"Derek Mueller","date":"September 7, 2006","format":false,"excerpt":"Remembering to read a little bit of Barthes from time to time. I like this one (from RB): When I used to play prisoner's base... When I used to play prisoner's base in the Luxembourg, what I liked best was not provoking the other team and boldly exposing myself to\u2026","rel":"","context":"In "Reading Notes"","block_context":{"text":"Reading Notes","link":"https:\/\/www.earthwidemoth.com\/blog\/category\/reading_notes\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":6822,"url":"https:\/\/www.earthwidemoth.com\/blog\/2007\/09\/07\/swimming-a-litt\/","url_meta":{"origin":6523,"position":2},"title":"Swimming a Little","author":"Derek Mueller","date":"September 7, 2007","format":false,"excerpt":"On this, the Barthes of September (so occasioned), I am left with no choice but to post an excerpt. But which one? Something apropos to this afternoon's mood (any respite from Why does this over-warm office where I sit working on my dissertation smell like shit? It's 94F--record-setting heat in\u2026","rel":"","context":"In "Dissertation"","block_context":{"text":"Dissertation","link":"https:\/\/www.earthwidemoth.com\/blog\/category\/dissertation\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":6397,"url":"https:\/\/www.earthwidemoth.com\/blog\/2005\/09\/06\/barthes-the-pho\/","url_meta":{"origin":6523,"position":3},"title":"Barthes – The Photographic Message (1961)","author":"Derek Mueller","date":"September 6, 2005","format":false,"excerpt":"Press photographs.\u00a0 Barthes refers to several such photographs in this essay from 1961.\u00a0 He was concerned with contending orders of connoted and denoted meanings operable in the reading of photographs. The \"photographic paradox,\" as he puts it, involves the double structure of contending linguistic orders (connotative, denotative) and the photograph\u2026","rel":"","context":"In "Reading Notes"","block_context":{"text":"Reading Notes","link":"https:\/\/www.earthwidemoth.com\/blog\/category\/reading_notes\/"},"img":{"alt_text":"Browder (left) and Tydings (right)","src":"https:\/\/i0.wp.com\/www.earthwidemoth.com\/blog\/img\/tydingsbrowder.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":6405,"url":"https:\/\/www.earthwidemoth.com\/blog\/2005\/09\/12\/barthes-the-thi\/","url_meta":{"origin":6523,"position":4},"title":"Barthes – The Third Meaning (1970)","author":"Derek Mueller","date":"September 12, 2005","format":false,"excerpt":"Barthes's essay, \"The Third Meaning: Research notes on some Eisenstein Stills,\" approaches a third order of meaning, an inarticulable beyond, extant to the first-order obvious and the second-order symbolic but not wholly divorced from them.\u00a0 The third meaning takes its shape from a \"theoretical individuality\" (55) (close associate to the\u2026","rel":"","context":"In "Reading Notes"","block_context":{"text":"Reading Notes","link":"https:\/\/www.earthwidemoth.com\/blog\/category\/reading_notes\/"},"img":{"alt_text":"Here, third meaning for Barthes","src":"https:\/\/i0.wp.com\/www.earthwidemoth.com\/blog\/img\/barthesensteinI.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":6381,"url":"https:\/\/www.earthwidemoth.com\/blog\/2005\/08\/20\/amphigeography\/","url_meta":{"origin":6523,"position":5},"title":"Amphigeography and Doppelspace","author":"Derek Mueller","date":"August 20, 2005","format":false,"excerpt":"Roland Barthes in Roland Barthes on Amphibologies: [I]n general, the context forces us to choose one of the two meanings and to forget the other.\u00a0 Each time he encounters one of these double words, R.B., on the contrary insists on keeping both meanings, as if one were winking at the\u2026","rel":"","context":"In "Rhetorico-Geography"","block_context":{"text":"Rhetorico-Geography","link":"https:\/\/www.earthwidemoth.com\/blog\/category\/spatialitiespatiality\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_likes_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.earthwidemoth.com\/blog\/wp-json\/wp\/v2\/posts\/6523","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.earthwidemoth.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.earthwidemoth.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.earthwidemoth.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.earthwidemoth.com\/blog\/wp-json\/wp\/v2\/comments?post=6523"}],"version-history":[{"count":0,"href":"https:\/\/www.earthwidemoth.com\/blog\/wp-json\/wp\/v2\/posts\/6523\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.earthwidemoth.com\/blog\/wp-json\/wp\/v2\/media?parent=6523"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.earthwidemoth.com\/blog\/wp-json\/wp\/v2\/categories?post=6523"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.earthwidemoth.com\/blog\/wp-json\/wp\/v2\/tags?post=6523"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}