{"id":6508,"date":"2006-02-19T23:10:04","date_gmt":"2006-02-19T23:10:04","guid":{"rendered":"http:\/\/www.earthwidemoth.com\/blog\/2006\/02\/19\/kress-literacy-1\/"},"modified":"2006-02-19T23:10:04","modified_gmt":"2006-02-19T23:10:04","slug":"kress-literacy-1","status":"publish","type":"post","link":"https:\/\/www.earthwidemoth.com\/blog\/2006\/02\/19\/kress-literacy-1\/","title":{"rendered":"Kress &#8211; <i>Literacy in the New Media Age<\/i> (2003) II"},"content":{"rendered":"<span class=\"span-reading-time rt-reading-time\" style=\"display: block;\"><span class=\"rt-label rt-prefix\">\u23f3 Approximate reading time: <\/span> <span class=\"rt-time\"> 4<\/span> <span class=\"rt-label rt-postfix\">mins<\/span><\/span><p>In <i>Literacy in the New Media Age<\/i>, Gunther Kress settles into a gradual<br \/>\nprogression from long-held presumptions about alphabetic literacy to an<br \/>\nincreasingly hybridized and &quot;multimodal&quot; literacy based on the screen. The<br \/>\nscreen&#8217;s proclivity for combining images and text has profound consequences,<br \/>\nKress argues, for the temporal\/sequential logics of letter, word and clause as<br \/>\nunits of meaning. Kress contends that syntactic complexity is compromised<br \/>\nas the frenetic reading pathways of the screen condition readers and writers to<br \/>\nmixed-mode framings that, in turn, impact how they read and write.<br \/>\nContrary to my expectations, Kress is none too sour on this trend; in fact, his<br \/>\nmovement through dense sociolinguistic explanations of literacy, genre and<br \/>\npunctuation as framing are impressively nuanced. Yet, very little of the<br \/>\nfirst two-thirds of the book is explicit about the ways in which new writing<br \/>\ntechnologies are entangled in the shifts he describes, and in this sense, I find<br \/>\nKress to be frustrating in how patiently he advances his back-analysis on<br \/>\ntraditional alphabetic literacy (replicated in formal Western schooling)&#8211;while<br \/>\nthe matter at hand&#8211;screens as a site of particular kinds of <i>changed<\/i><br \/>\nwriting activity&#8211;hovers as a given. This book is far more about<br \/>\n&quot;Literacy&quot; than about &quot;the New Media Age;&quot; it inches toward actual discussions<br \/>\nof interfaces, and finally, near the end of chapter eight, offers a screen-shot<br \/>\nof a web page with eleven (by Kress&#8217;s count) &quot;entry-points&quot; for reading.<br \/>\nKress&#8217;s point with the screenshot: &quot;&#8217;reading&#8217; is now a distinctively different<br \/>\nactivity to what it was in the era of the traditional page&quot; (138). <\/p>\n<p><!--more--><\/p>\n<p>Granted, the tensions between linearity and directionality; image, writing<br \/>\nand speech; space and time; and screen and page are significant, and because<br \/>\nKress is so complete in his attention to these contending factors, <i>LITNMA<\/i><br \/>\nis a solid primer for &#8216;literacy after the revolution&#8217;. There are, Kress<br \/>\nconcludes, heavy implications from all of this on teaching&#8211;bang that drum, yes?<br \/>\nI re-discovered, in chapter seven, &quot;Multimodality, Multimedia and Genre,&quot;<br \/>\nfamiliar ideas before I realized that I&#8217;d read it before. It&#8217;s<br \/>\nanthologized in Carolyn Handa&#8217;s <i>Visual Rhetoric in a Digital World<\/i>, one of the<br \/>\ncollections we looked at two years ago in CCR601. In the chapter, Kress<br \/>\nworks on the problem of &quot;ensembles of modes&quot;&#8211;mixed imagetexts that don&#8217;t<br \/>\nreconcile neatly with known genre-types: &quot;In the new communicational world there<br \/>\nare now choices about how what is to be represented should be represented: in<br \/>\nwhat mode, in what genre, in what ensembles of modes and genres and on what<br \/>\noccasions&quot; (117). At the end of the chapter, Kress determines that notions<br \/>\nof mixed genres are less useful and that labeling is perhaps unhelpful; instead,<br \/>\nwe might prepare students to &quot;feel at ease in a world of incessant change&quot; (121)<br \/>\nwith something like Carolyn Miller&#8217;s genre as social action or more generative<br \/>\napplications of genre.<\/p>\n<p>The chapter I&#8217;ll return to, however, is chapter nine, &quot;Reading as Semiosis,&quot;<br \/>\nbecause it&#8217;s the place where Kress best develops the shift from reading as<br \/>\ninterpretation to reading as design (50) (in new media encounters). He<br \/>\nwants us to get at the question of whether &quot;reading&quot; refers to the linear<br \/>\nprocess of following alphabetic sequences or, in light of the subordination of<br \/>\ntext to image and the ubiquity of the screen, something else, something akin to<br \/>\ncombinations, scanning, and reading paths (I&#8217;d include pattern) (156). There&#8217;s much<br \/>\nin this chapter to recommend re: reading the digital; it&#8217;s the place I&#8217;ll turn<br \/>\nto first when I revisit this book for comps later this year. And just one<br \/>\nlast point (because it&#8217;s late&#8230;), the final chapter is also a nice sketch of many of the other principles embraced by the New London Group. <\/p>\n<p>Terms: display (9), scape (11), reading path (37), concept map (54),<br \/>\nplacement (65), genres (93), recount (108), ensembles of modes (116), distance<br \/>\n(118, 141), transduction (125; elsewhere, see index), anaphoric (128), emergent<br \/>\nwriting (146), functional specialisation (20, 156, elsewhere), scanning (159),<br \/>\nanchorage (165)<\/p>\n<p>Of note: Chart on p. 70; Genre and labels 112 and 118 (conflict!)<\/p>\n<p>Quotations<\/p>\n<p>&quot;A vast change is under way, with as yet unknowable consequences. It<br \/>\ninvolves the remaking of relations between what a culture makes available as<br \/>\nmeans for making meaning (what I shall call throughout the book,<br \/>\nrepresentational modes&#8211;speech, writing, image, gesture, music and others) and<br \/>\nwhat the culture makes available as means for distributing these meanings as<br \/>\nmessages (the media of dissemination&#8211;book, computer-screen, magazine, video,<br \/>\nfilm, radio, chat, and so on). &#8216;Literacy&#8217;, in whatever sense, is entirely<br \/>\ninvolved in that&quot; (22).<\/p>\n<p>&quot;A question that is pressing is, is it possible to make the same meanings<br \/>\nwith sounds in time (and all the cultural elaborations of that) as with light in<br \/>\nspace (and the elaborations of that)? This becomes urgent now that the new<br \/>\ntechnologies permit a ready and easy choice: shall I represent this as written<br \/>\ntext or as image?&quot; (33).<\/p>\n<p>&quot;This book is not the place to conduct this debate [on the cultural pessimism<br \/>\ntoward changes in reading and writing] in any extended fashion, but is can be<br \/>\nthe place for starting it in a way that goes beyond mere polemic, and might<br \/>\nsuggest the framework within which a productive argument might be conducted<br \/>\naround this question&quot; (51).<\/p>\n<p>&quot;My assumption is that syntactically and textually writing may be becoming<br \/>\nmore speech-like once again, while in its visual\/graphic\/spatial dimensions<br \/>\nthere is a move in the opposite direction, away from speech&quot; (73).<\/p>\n<p>&quot;Does the category of genre remain important, useful, necessary; does it<br \/>\nbecome more or less important in the era of multimodal communication? The answer<br \/>\nis that the category of genre is essential in all attempts to understand text,<br \/>\nwhatever its modal constitution. The point is to develop a theory and terms<br \/>\nadequate to that&quot; (107).<\/p>\n","protected":false},"excerpt":{"rendered":"<p><span class=\"span-reading-time rt-reading-time\" style=\"display: block;\"><span class=\"rt-label rt-prefix\">\u23f3 Approximate reading time: <\/span> <span class=\"rt-time\"> 4<\/span> <span class=\"rt-label rt-postfix\">mins<\/span><\/span>In Literacy in the New Media Age, Gunther Kress settles into a gradual progression from long-held presumptions about alphabetic literacy to an increasingly hybridized and &quot;multimodal&quot; literacy based on the screen. The screen&#8217;s proclivity for combining images and text has profound consequences, Kress argues, for the temporal\/sequential logics of letter, word and clause as units&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[167],"tags":[424,319,441,545,255,547,318,327,443,433],"class_list":["post-6508","post","type-post","status-publish","format-standard","hentry","category-reading_notes","tag-design","tag-genre","tag-image","tag-kress","tag-literacy","tag-multimodal","tag-new-media","tag-reading","tag-text","tag-visuality"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Kress - Literacy in the New Media Age (2003) II - Earth Wide Moth<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.earthwidemoth.com\/blog\/2006\/02\/19\/kress-literacy-1\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Kress - Literacy in the New Media Age (2003) II - Earth Wide Moth\" \/>\n<meta property=\"og:description\" content=\"\u23f3 Approximate reading time:  4 minsIn Literacy in the New Media Age, Gunther Kress settles into a gradual progression from long-held presumptions about alphabetic literacy to an increasingly hybridized and &quot;multimodal&quot; literacy based on the screen. The screen&#8217;s proclivity for combining images and text has profound consequences, Kress argues, for the temporal\/sequential logics of letter, word and clause as units...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.earthwidemoth.com\/blog\/2006\/02\/19\/kress-literacy-1\/\" \/>\n<meta property=\"og:site_name\" content=\"Earth Wide Moth\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/derek.mueller\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/derek.mueller\" \/>\n<meta property=\"article:published_time\" content=\"2006-02-19T23:10:04+00:00\" \/>\n<meta name=\"author\" content=\"Derek Mueller\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Derek Mueller\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.earthwidemoth.com\\\/blog\\\/2006\\\/02\\\/19\\\/kress-literacy-1\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.earthwidemoth.com\\\/blog\\\/2006\\\/02\\\/19\\\/kress-literacy-1\\\/\"},\"author\":{\"name\":\"Derek Mueller\",\"@id\":\"http:\\\/\\\/www.earthwidemoth.com\\\/blog\\\/#\\\/schema\\\/person\\\/66fc5e80a62f53057760790b1cfeb24b\"},\"headline\":\"Kress &#8211; 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I've read the chunk before the preface (what is this thing, a superpreface, an antepreface, pre-preface?): \"The Futures of Literacy: Modes, Logics and Affordances.\" This much is clear: image and text function according to distinctive logics. With\u2026","rel":"","context":"In &quot;Reading Notes&quot;","block_context":{"text":"Reading Notes","link":"https:\/\/www.earthwidemoth.com\/blog\/category\/reading_notes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.earthwidemoth.com\/blog\/img\/litnma.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":6505,"url":"https:\/\/www.earthwidemoth.com\/blog\/2006\/02\/14\/problems-and-st\/","url_meta":{"origin":6508,"position":1},"title":"Problems and Stases","author":"Derek Mueller","date":"February 14, 2006","format":false,"excerpt":"Another double-seminar Tuesday coming up: In 720 this afternoon, we're talking up the stases (definition, fact, cause, value and action, following Fahnestock and Secor) and looking through Joseph Williams' \"Problems into PROBLEMS\" (PDF) to re-see the first few pages of two pieces--one of our own and one from a journal.\u2026","rel":"","context":"In &quot;Reading Notes&quot;","block_context":{"text":"Reading Notes","link":"https:\/\/www.earthwidemoth.com\/blog\/category\/reading_notes\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":7072,"url":"https:\/\/www.earthwidemoth.com\/blog\/2006\/11\/07\/wysocki-awaywit-1\/","url_meta":{"origin":6508,"position":2},"title":"Wysocki, &#8220;Awaywithwords&#8221;","author":"Derek Mueller","date":"November 7, 2006","format":false,"excerpt":"Wysocki, Anne F. \"Awaywithwords: On the Possibilities in Unavailable Designs.\" Computers and Composition 22 (2005) 55-62. In this brief article, Wysocki complicates the dichotomy between image and word, a division reinforced in the work of Kress, who partitions words and their \"temporal and sequential logic\" from \"image-presentations\" and their \"spatial\u2026","rel":"","context":"In &quot;Visuality and New Media&quot;","block_context":{"text":"Visuality and New Media","link":"https:\/\/www.earthwidemoth.com\/blog\/category\/visuality_and_n\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":7012,"url":"https:\/\/www.earthwidemoth.com\/blog\/2006\/07\/27\/trimbur-deliver\/","url_meta":{"origin":6508,"position":3},"title":"Trimbur, &#8220;Delivering the Message&#8221;","author":"Derek Mueller","date":"July 27, 2006","format":false,"excerpt":"Trimbur, John. \"Delivering the Message: Typography and the Materiality of Writing.\" Olson 188-202. Trimbur opens with a lucid, concise account of the distinction between process and post-process movements.\u00a0 \"Process,\" he writes, becomes a given with the ubiquity of its foci: cognition, voice, conversation.\u00a0 Post-process, rather than accepting as transparent the\u2026","rel":"","context":"In &quot;Writing Technologies&quot;","block_context":{"text":"Writing Technologies","link":"https:\/\/www.earthwidemoth.com\/blog\/category\/writing_technol\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":6485,"url":"https:\/\/www.earthwidemoth.com\/blog\/2006\/01\/16\/lugging-around-1\/","url_meta":{"origin":6508,"position":4},"title":"Lugging Around","author":"Derek Mueller","date":"January 16, 2006","format":false,"excerpt":"Like Krista, I start back to classes tomorrow for the final semester of coursework.\u00a0 The following selections fill the docket, in no particular order; they're the ones I'll be hefting around in the coming months. GEO781: Seminar in Cartography: Web Mapping and Cybercartography Mapping Hacks, Erle, Gibson, and Walsh. Added\u2026","rel":"","context":"In &quot;Academe&quot;","block_context":{"text":"Academe","link":"https:\/\/www.earthwidemoth.com\/blog\/category\/academe\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":7001,"url":"https:\/\/www.earthwidemoth.com\/blog\/2006\/07\/09\/costanzo-readin\/","url_meta":{"origin":6508,"position":5},"title":"Costanzo, &#8220;Reading, Writing and Thinking in an Age of Electronic Literacy&#8221;","author":"Derek Mueller","date":"July 9, 2006","format":false,"excerpt":"Costanzo, William. \"Reading, Writing and Thinking in an Age of Electronic Literacy.\" Literacy and Computers: The Complications of Teaching and Learning with Technology. Cynthia Selfe and Susan Hiligoss, eds. Research and Scholarship in Composition Ser. New York: MLA, 1994. 11-21. In this overview, Costanzo provides a snapshot of C&W concerns\u2026","rel":"","context":"In &quot;Writing Technologies&quot;","block_context":{"text":"Writing Technologies","link":"https:\/\/www.earthwidemoth.com\/blog\/category\/writing_technol\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/www.earthwidemoth.com\/blog\/wp-json\/wp\/v2\/posts\/6508","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.earthwidemoth.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.earthwidemoth.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.earthwidemoth.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.earthwidemoth.com\/blog\/wp-json\/wp\/v2\/comments?post=6508"}],"version-history":[{"count":0,"href":"https:\/\/www.earthwidemoth.com\/blog\/wp-json\/wp\/v2\/posts\/6508\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.earthwidemoth.com\/blog\/wp-json\/wp\/v2\/media?parent=6508"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.earthwidemoth.com\/blog\/wp-json\/wp\/v2\/categories?post=6508"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.earthwidemoth.com\/blog\/wp-json\/wp\/v2\/tags?post=6508"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}