{"id":6482,"date":"2006-01-12T22:50:15","date_gmt":"2006-01-12T22:50:15","guid":{"rendered":"http:\/\/www.earthwidemoth.com\/blog\/2006\/01\/12\/jacing-around-w\/"},"modified":"2006-01-12T22:50:15","modified_gmt":"2006-01-12T22:50:15","slug":"jacing-around-w","status":"publish","type":"post","link":"https:\/\/www.earthwidemoth.com\/blog\/2006\/01\/12\/jacing-around-w\/","title":{"rendered":"Bibliometrics JACing"},"content":{"rendered":"\u23f3 Approximate reading time: <\/span> 2<\/span> mins<\/span><\/span>

I got caught up reading the
\nMoretti Event<\/a>
\nover at The Valve, but I still have a minute to post a few notes about something
\nI was thinking about earlier today.  I read the introduction to David
\nSmit’s The End of Composition Studies<\/i> yesterday; there, he has this to
\nsay about the ideological dissymmetry among compositionists, divergences
\ncharacteristic of the field at-large: <\/p>\n

<\/p>\n

\nNo one can doubt that the field has become increasingly divided into narrow
\nareas of concern with little indication that scholars and researchers in one
\narea read, respect, or deal substantively with the work of those in other areas. 
\nSince Stephen North’s pioneering work The Making of Knowledge in Composition<\/i>
\nclassified the work of the field into eight major areas, there have been few
\nattempts to bridge gaps between those areas. A comparison of the works cited
\npages in College Composition and Communication<\/i>, Rhetoric Review<\/i>,
\nJAC: A Journal of Advanced Communication Theory<\/i>, and Written
\nCommunication<\/i> reveals some overlaps, but not much.  Hence the need for
\nadditional taxonomies, frameworks, and "keys," such as those by James Berlin
\n("Contemporary"); Richard Fulkerson; and Mark Wiley, Barbara Gleason, and Louise
\nWetherbee Phelps to explain the various areas of the field. (7)<\/p><\/blockquote>\n

This is a common enough proposal about divisions, no?  A balkanism,
\nattendant to new waves of theory wars, noting how we’re crumbling apart,
\nfraying.  Reasonable as Smit’s insight may well be, however, I’m struck
\nhere by the notion that comparisons of our journals works cited pages somehow
\nreflect a field "increasingly divided."  To compare for increasing division
\nwould necessarily involve some longevity and detail work.  It’s just that
\nthe journals most readily associated with composition’s disciplinary commons
\n(the noetic field (Berlin) or epistemic court (Lauer))–the journals listed by
\nSmit–aren’t really data-made for exhaustive bibliographic comparison. 
\nWhat method, then, is available other than what we can discern by scanning the
\nlistings for a selection of articles?  The interference for me as I read
\nthis passage from Smit is that our data structures for citation comparisons in
\ncomposition journals are, well, quite scarce.  And that scarcity, while it
\nleaves us with little alternative other than to intuit increasing divisions
\n"into narrow areas of concern" based on citations, it also motivates our
\nthinking with CCC<\/i> Online<\/a>.  As
\nCollin has articulated before, with more discipline-wide embrace of data-mining,
\nwe would have–from all of the journals identified with the field–a more
\ndynamic database through which to test claims about "increasing" divergence in
\ncitations.  For fear that this might sound disingenuous toward Smit, I’m
\nnot going for that effect.  In fairness, I’ve just read the beginning of
\nThe End…<\/i>.  But I’m increasingly alert to impressions of the field’s
\nbreaking apart that might appear differently if held up alongside a
\ncomprehensive collection of all of the citations ever made in any journal
\nassociated with the field.  Why not?<\/p>\n

More to point–and the last thing for the night: Matt Kirschenbaum,
\n
\ncommenting at The Valve<\/a> on the possibilities of the
\nnora project<\/a>, mentioned "the capacity
\n[of nora’s results] to startle." I find this turn far more interesting. 
\nHow would we go about assembling a comprehensive bibliometric\/bibliographic
\ndatabase for an inter-discipline such as composition studies (based, perhaps,
\nboth in
\njournals and in monographs) and, in doing so, celebrate its "capacity to
\nstartle," rather than denounce it as faux-empiricism?<\/p>\n","protected":false},"excerpt":{"rendered":"

\u23f3 Approximate reading time: <\/span> 2<\/span> mins<\/span><\/span>I got caught up reading the Moretti Event over at The Valve, but I still have a minute to post a few notes about something I was thinking about earlier today.  I read the introduction to David Smit’s The End of Composition Studies yesterday; there, he has this to say about the ideological dissymmetry among…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[170],"tags":[529,403,528,306,445,259,1158],"class_list":["post-6482","post","type-post","status-publish","format-standard","hentry","category-method","tag-bibliometrics","tag-disciplinarity","tag-jac","tag-journals","tag-knowledge","tag-nora","tag-pattern"],"yoast_head":"\nBibliometrics JACing - 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Lauer deals with the disciplinary of composition studies in this piece. She is particularly concerned with qualities of the discipline that should inform the planning of graduate programs in composition studies. Briefly she acknowledges pioneers of the field who,\u2026","rel":"","context":"In "Writing Technologies"","block_context":{"text":"Writing Technologies","link":"https:\/\/www.earthwidemoth.com\/blog\/category\/writing_technol\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":7083,"url":"https:\/\/www.earthwidemoth.com\/blog\/2006\/11\/22\/fulkerson-compo\/","url_meta":{"origin":6482,"position":1},"title":"Fulkerson, “Composition at the Turn of the Twenty-First Century”","author":"Derek Mueller","date":"November 22, 2006","format":false,"excerpt":"Fulkerson, Richard. \"Summary and Critique: Composition at the Turn of the Twenty-first Century.\" CCC 56.4 (2005): 654-687. 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