{"id":6462,"date":"2005-12-06T15:15:12","date_gmt":"2005-12-06T15:15:12","guid":{"rendered":"http:\/\/www.earthwidemoth.com\/blog\/2005\/12\/06\/the-making-of\/"},"modified":"2005-12-06T15:15:12","modified_gmt":"2005-12-06T15:15:12","slug":"the-making-of","status":"publish","type":"post","link":"https:\/\/www.earthwidemoth.com\/blog\/2005\/12\/06\/the-making-of\/","title":{"rendered":"The Making of&#8230;"},"content":{"rendered":"<span class=\"span-reading-time rt-reading-time\" style=\"display: block;\"><span class=\"rt-label rt-prefix\">\u23f3 Approximate reading time: <\/span> <span class=\"rt-time\"> 2<\/span> <span class=\"rt-label rt-postfix\">mins<\/span><\/span><p>Coming back to a passage from Manovich that winked at me when I read it last<br \/>\nweek:<\/p>\n<blockquote><p>\nA visible sign of this shift is the new role that computer-generated special<br \/>\neffects have come to play in the Hollywood industry in the 1990s.&nbsp; Many<br \/>\nblockbusters have been driven by special effects; feeding on their popularity,<br \/>\nHollywood has even created a minigenre of &quot;The Making of&#8230;,&quot; videos and books<br \/>\nthat reveal how special effects are created. (300)<\/p><\/blockquote>\n<p><!--more--><\/p>\n<p>I wouldn&#8217;t yet self-define as a methodologist, but because I&#8217;m currently<br \/>\nfinishing up my program&#8217;s methodology course, I have been thinking quite a bit<br \/>\nabout how things get done, how scholarship gets made, what methodologists want,<br \/>\nand where the methodical (as more typically associated with a researcher&#8217;s<br \/>\ntrail) blurs with writing.&nbsp; Furthermore, in light of the recent<br \/>\ninterchanges on WPA-l, I&#8217;m thinking about the limitations of any published<br \/>\nmonograph to reveal the subtleties of the research and writing that went into it.&nbsp;<br \/>\nYet a conventional model for knowing method~ologies is through inference.&nbsp;<br \/>\nRead something likely to have been researched and, from the text, extrapolate.&nbsp;<br \/>\nAnother model: specific procedural explanations or <i>how-to<\/i>s (the way to<br \/>\nethnographize, the way to discourse analyze).&nbsp; So what else can we do with<br \/>\nmethod~ology beyond the domesticated regimen (albeit a stabilizing and<br \/>\nstudy-able force) of <i>this is how you do <\/i>x?&nbsp; What can we do with<br \/>\nmethod~ology beyond the reverse-ordered and confounding in-through-the-exit of<br \/>\nmethod read back through the monograph?&nbsp; Maybe a collection of &quot;the making<br \/>\nof&quot; essays that looks back on the production of the project, attends to the<br \/>\nspecial effects, and so on. (Something close to North&#8217;s <i>The Making of<\/i>&#8230;<br \/>\nor Kirsch and Sullivan&#8217;s edited collection, only more like what we get with film<br \/>\nand told by the one(s) who did the work).&nbsp; <\/p>\n<p>Or maybe not.&nbsp; Hooked me when I first thought about it to pitch<br \/>\nsomething like what Manovich talks about only taken to comp scholarship.&nbsp; <\/p>\n","protected":false},"excerpt":{"rendered":"<p><span class=\"span-reading-time rt-reading-time\" style=\"display: block;\"><span class=\"rt-label rt-prefix\">\u23f3 Approximate reading time: <\/span> <span class=\"rt-time\"> 2<\/span> <span class=\"rt-label rt-postfix\">mins<\/span><\/span>Coming back to a passage from Manovich that winked at me when I read it last week: A visible sign of this shift is the new role that computer-generated special effects have come to play in the Hollywood industry in the 1990s.&nbsp; Many blockbusters have been driven by special effects; feeding on their popularity, Hollywood&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[170],"tags":[430,521,144],"class_list":["post-6462","post","type-post","status-publish","format-standard","hentry","category-method","tag-how-to","tag-manovich","tag-methods"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.1 - 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The talk is relevant to my work because Manovich wants to create visualizations that deliberately alter the default scale at\u2026","rel":"","context":"In &quot;Methods&quot;","block_context":{"text":"Methods","link":"https:\/\/www.earthwidemoth.com\/blog\/category\/method\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":6460,"url":"https:\/\/www.earthwidemoth.com\/blog\/2005\/12\/02\/manovich-the-la\/","url_meta":{"origin":6462,"position":1},"title":"Manovich &#8211; The Language of New Media (2001)","author":"Derek Mueller","date":"December 2, 2005","format":false,"excerpt":"Notes on Lev Manovich's The Language of New Media (2001). In the prologue, Manovich gives us what he calls a Vertov Dataset--full-passage selections from elsewhere in the book matched up with frames from Vertov.\u00a0\u00a0 It's a distinctive and memorable way to open onto the project--self-sampling and re-associating, which emphasizes (paradoxically?)\u2026","rel":"","context":"In &quot;Reading Notes&quot;","block_context":{"text":"Reading Notes","link":"https:\/\/www.earthwidemoth.com\/blog\/category\/reading_notes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.earthwidemoth.com\/blog\/img\/lnm.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":6915,"url":"https:\/\/www.earthwidemoth.com\/blog\/2008\/03\/17\/manovich-data-v\/","url_meta":{"origin":6462,"position":2},"title":"Manovich, &quot;Data Visualization as New Abstraction and as Anti-Sublime&quot;","author":"Derek Mueller","date":"March 17, 2008","format":false,"excerpt":"\u00a0Manovich, Lev. \"Data Visualization as New Abstraction and as Anti-Sublime.\" Small Tech: The Culture of Digital Tools. Eds. Byron Hawk, David Reider, and Ollie Oviedo. Electronic Mediations Ser. 22. Minneapolis: U of Minnesota P, 2008. Why render data visually? Lev Manovich, in \"Data Visualization as New Abstraction and as Anti-sublime,\"\u2026","rel":"","context":"In &quot;Reading Notes&quot;","block_context":{"text":"Reading Notes","link":"https:\/\/www.earthwidemoth.com\/blog\/category\/reading_notes\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":6498,"url":"https:\/\/www.earthwidemoth.com\/blog\/2006\/02\/01\/rrove\/","url_meta":{"origin":6462,"position":3},"title":"Rrove","author":"Derek Mueller","date":"February 1, 2006","format":false,"excerpt":"Rrove is one of the latest site-tagging apps making use of Google Maps API (via & credit). I signed up for an account this morning and tested it with a link to the Palmer House in Chicago, site of the '06 CCCC late next month. 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I could've used another vote, NM. packing and taping boxes. carrying and loading boxes, furniture. unloading and carrying boxes, furniture. diffusing the weather system\u2026","rel":"","context":"In &quot;Slouching Toward&quot;","block_context":{"text":"Slouching Toward","link":"https:\/\/www.earthwidemoth.com\/blog\/category\/slouching_toward\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8745,"url":"https:\/\/www.earthwidemoth.com\/blog\/2023\/05\/27\/dataism\/","url_meta":{"origin":6462,"position":5},"title":"Dataism","author":"Derek Mueller","date":"May 27, 2023","format":false,"excerpt":"Macbook selfie not to be mistaken for iPhone selfie. The dataism of the information regime has totalitarian characteristics. Its aim is total knowledge, but the total knowledge of dataism is achieved not through ideological narration but through algorithmic operations. The aim of dataism is to compute all there is and\u2026","rel":"","context":"In &quot;Dry Ogre Chalking&quot;","block_context":{"text":"Dry Ogre Chalking","link":"https:\/\/www.earthwidemoth.com\/blog\/category\/dry_ogre_chalking\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.earthwidemoth.com\/blog\/wp-content\/uploads\/2023\/05\/Subject.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"jetpack_likes_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.earthwidemoth.com\/blog\/wp-json\/wp\/v2\/posts\/6462","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.earthwidemoth.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.earthwidemoth.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.earthwidemoth.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.earthwidemoth.com\/blog\/wp-json\/wp\/v2\/comments?post=6462"}],"version-history":[{"count":0,"href":"https:\/\/www.earthwidemoth.com\/blog\/wp-json\/wp\/v2\/posts\/6462\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.earthwidemoth.com\/blog\/wp-json\/wp\/v2\/media?parent=6462"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.earthwidemoth.com\/blog\/wp-json\/wp\/v2\/categories?post=6462"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.earthwidemoth.com\/blog\/wp-json\/wp\/v2\/tags?post=6462"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}