{"id":6381,"date":"2005-08-20T23:00:00","date_gmt":"2005-08-20T23:00:00","guid":{"rendered":"http:\/\/www.earthwidemoth.com\/blog\/2005\/08\/20\/amphigeography\/"},"modified":"2005-08-20T23:00:00","modified_gmt":"2005-08-20T23:00:00","slug":"amphigeography","status":"publish","type":"post","link":"https:\/\/www.earthwidemoth.com\/blog\/2005\/08\/20\/amphigeography\/","title":{"rendered":"Amphigeography and Doppelspace"},"content":{"rendered":"\u23f3 Approximate reading time: <\/span> 2<\/span> mins<\/span><\/span>

Roland Barthes in Roland Barthes<\/i> on Amphibologies:<\/p>\n

\n [I]n general, the context forces us to choose one of the two meanings and
\n to forget the other.  Each time he encounters one of these double words,
\n R.B., on the contrary insists on keeping both meanings, as if one were winking
\n at the other and as if the word’s meaning were in that wink, so that one
\n and the same words<\/i>, in one and the same sentence<\/i>, means at one
\n and the same time<\/i> two different things, and so that one delights,
\n semantically, in the other by the other.  This is why such words are
\n often said to be "preciously ambiguous": not in their lexical essence (for any
\n word in the lexicon has several meanings), but because, by any kind of luck<\/i>,
\n a kind of favor not of language but of discourse, I can actualize<\/i> their
\n amphibology, can say ‘intelligence’ and appear to be referring chiefly to the
\n intellective meaning, but letting the meaning of ‘complicity’ be understood<\/i>
\n (72).\n<\/p><\/blockquote>\n

<\/p>\n

There’s something to this passage that I can’t quite put my finger on. 
\nWhat if we spin it around from word-sentence semantics to image-space rhetorics? 
\nI love R.B.’s notion of meanings winking.  My mother-in-law is a winker,
\nand so I’ve come to know the wink-gesture by her sometimes surprising use of it
\n(when the hyper-winking takes off at a family get-together, what does it all<\/i>
\nmean?).  Take the word-meaning wink and replace it with an image-meaning
\nwink.  What do we have? (With this, I’m asking about more than the problem
\nof a helluva lot of winking.)<\/p>\n

I suppose this doesn’t make much sense (yet!).  I’m thinking about the
\ndoubling of the virtual<\/i> and the actual\/real<\/i>–the tense play
\nbetween Google Maps’ satellite imagery and the scripted layers (intricately
\nspatialized, discursive).  Something, somehow is winking between the
\n
\namateur photos<\/a> (images of finds, things I<\/i> notice) and the
\n
\nplaces<\/a>.  But the wink is elusive, often subtle; the two+ spaces (a park
\nI walk through and a park on my computer screen…and on the news, and in the
\nphoto-image) entangled in the documentary activity. It’s writing, yes? 
\nThis thing–amphigeography–takes on, maybe confronts, the latency of spatial
\ndiscourse.  Read through the influx of Google Maps hacks, it might be
\ncalled the event of the summer–a felicitous and widely celebrated image-space
\nwink-fest. <\/p>\n

Remaining: to spatialize discursive shards–finds, whats’its, orts–all
\npunctumoniously abuzz and stinging, fiercely kindled by desires split by the
\nobvious, boring and banal-bland and, on the other hand, the unspeakable,
\nself-doubting, wonder-lost (is it nothing?). Rush to gather it together again. 
\nAnd so we give in to this frenetic always-making of paths-trails-traces (actual,
\nvirtual), combinatorially manifest in unceasing possibilities, technological,
\nsensational, spatial.  Turn up-on-to writing technologies and we begin to
\nenjoy the luck<\/i> of the "precious ambiguities" in image-space rhetorics, begin to actualize<\/i> amphigeographies.<\/p>\n","protected":false},"excerpt":{"rendered":"

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