{"id":6176,"date":"2004-10-31T21:21:55","date_gmt":"2004-10-31T21:21:55","guid":{"rendered":"http:\/\/www.earthwidemoth.com\/blog\/2004\/10\/31\/mist-crumbs-pec\/"},"modified":"2004-10-31T21:21:55","modified_gmt":"2004-10-31T21:21:55","slug":"mist-crumbs-pec","status":"publish","type":"post","link":"https:\/\/www.earthwidemoth.com\/blog\/2004\/10\/31\/mist-crumbs-pec\/","title":{"rendered":"Mist, Crumbs, Peculiar Ethos"},"content":{"rendered":"\u23f3 Approximate reading time: <\/span> 2<\/span> mins<\/span><\/span>

I found Corey Union the other night (and damn, how I should be working on a
\nresponse paper–something from Handa’s vizrhet anthology this time).  I
\nfound Corey Union; parked on the uphill grade just a block from the place. 
\nInto Exhibition Lounge, I strolled.  It was empty, dark.  Televisions
\nstood on each side of the podium; one leaked static, the other, a faintly
\ndiscernable "unusable signal" message.<\/p>\n

Note-taking during a Vitanza talk is a nasty gag.  Trick, treat, then
\nthis? What?  Yet I scribbled until my miniature yellow tablet filled
\nup.  Then I stopped.  And so these notes are my own (and now yours)
\nstrings.  <\/p>\n

The television monitors–two of them–mattered to the talk.  Vitanza’s
\ntext (talk) coincided with the movies; each screen played a slow frame-rate
\npicture-show: hands typing, VV talking, cutting mushrooms, duck and cover
\nfootage.  All of it loosely discordant–a purposefully jumbled
\nsynchronization of themes, resonances, unmatched with the precise (re)turns in
\nthe paper he read. And the object (although everyone in the audience would
\ndisagree, mostly) was to find the in-between space, the gap between the
\nspoken-text and the screens.<\/p>\n

Said Vitanza of the (de.per)formance, "Impossible to follow.  It
\ndoes not follow<\/i>."  And no claims to immediate
\nintelligibility.  And "unmasking is forever an unmaking." 
\nBut I might have that wrong or it might have been a quotation from Deleuze on
\nactual-virtual and two mirrors.  I might have it all wrong.  And in
\nthis case, that would be okay. "This event is for tomorrow unfounded on
\nyesterdays," Vitanza said.<\/p>\n

It was called "The Coming Pedagogy of the Peculiar."  With
\nrefs to post-pedagogy–knowing and making even if <\/i>or always<\/i> non-codifiable,
\nVitanza addressed theory, asked us "to learn to live with ghosts,"
\nHamlet, Marx, and Derrida, himself.  String: beside "himself."
\nString: the ground, the ?, the indeterminate self that shakes us, sets us
\ntrembling. And "let us not lose sight of the alongsides." 
\nVitanza told us definition means to limit: creating certainty by throwing away
\nthe crumbs.<\/p>\n

I got particularly rapt up in his suggestion that "community is always
\ncoming along" and that "it resists collectivity as much as it resists
\nindividuality."  And a nursery quip: Subjectivity sat on a wall<\/i>. 
\nYou know the rest. Essence-existence-irreparable<\/i>. String: Less interested
\nin what goes for truth.  More interested in a discourse of untruth which
\nhas haunted the text.<\/p>\n

It was, on the whole, haunting.  It promised to be. And here you have
\nfewer than half of my notes which continue–strings–loose, tangential,
\nlisted.  Fifty minutes plus Q&A: vagabond Sophists, Zeno’s arrow,
\nchromosomic multisexes (how many you want?), mushrooms and dough, Virginia Woolf,
\nProteus and a bowl of water.<\/p>\n

~Keep your eyes on the in-between–the space between the excluded middle and
\nthe excluded third. Between them should haunt you.  It should disturb you.<\/p>\n

After the talk, I met and talked with Alex<\/a>
\n(and expressed my gratitude for his return email filling me in on the time, location), then introduced myself to VV, asked him how we’ll re-gain access to his talk–an essay? Book?  Kit.  It’ll likely be a kit.  Available sometime soon–a future date "unfounded on yesterdays," to be sure. <\/p>\n

Drove home in the rain.<\/p>\n","protected":false},"excerpt":{"rendered":"

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Vitanza introduces a third \"seeing\" to the seeing\/not seeing dyad.\u00a0 With it, he sets up a correlation between theory and seeing (etymologically, drawing on Gk. thea and also Williams' Keywords). From here, he accounts for the shortcomings of dialectics resulting from\u2026","rel":"","context":"In "Writing Technologies"","block_context":{"text":"Writing Technologies","link":"https:\/\/www.earthwidemoth.com\/blog\/category\/writing_technol\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":7005,"url":"https:\/\/www.earthwidemoth.com\/blog\/2006\/07\/23\/turkle-identity\/","url_meta":{"origin":6176,"position":1},"title":"Turkle, “Identity Crisis”","author":"Derek Mueller","date":"July 23, 2006","format":false,"excerpt":"Turkle, Sherry. \"Identity Crisis.\" Vitanza 57-76. Turkle begins by suggesting that metaphors for pshychoanalysis predominate in every era.\u00a0 Fluidity and stability contend, increasingly, in the high tides of postmodernism.\u00a0 Turkle examines the implications of MUDs and other online domains for identity play: \"Online switches among personae seem quite natural. Indeed,\u2026","rel":"","context":"In "Writing Technologies"","block_context":{"text":"Writing Technologies","link":"https:\/\/www.earthwidemoth.com\/blog\/category\/writing_technol\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":7003,"url":"https:\/\/www.earthwidemoth.com\/blog\/2006\/07\/19\/nakamura-race-i\/","url_meta":{"origin":6176,"position":2},"title":"Nakamura, “Race In\/For Cyberspace”","author":"Derek Mueller","date":"July 19, 2006","format":false,"excerpt":"Nakamura, Lisa. \"Race In\/For Cyberspace: Identity Tourism and Racial Passing on the Internet.\" Vitanza 141-154. Nakamura's critical account focuses centrally on identity tourism and racial passing.\u00a0 She reads these issues through a series of events or happenings: 1. the \"On the Internet, nobody knows you're a dog\" cartoon; 2. the\u2026","rel":"","context":"In "Writing Technologies"","block_context":{"text":"Writing Technologies","link":"https:\/\/www.earthwidemoth.com\/blog\/category\/writing_technol\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":7004,"url":"https:\/\/www.earthwidemoth.com\/blog\/2006\/07\/23\/rheinghold-smar\/","url_meta":{"origin":6176,"position":3},"title":"Rheinghold, “Smart Mobs”","author":"Derek Mueller","date":"July 23, 2006","format":false,"excerpt":"Rheinghold, Howard. \"Smart Mobs: The Power of the Mobile Many.\" Vitanza 89-120. \"Smart mobs are an unpredictable but at least partially describable emergent property that I see surfacing as more people use mobile telephones, more chips communicate with each other, more computers know where they are located, more technology becomes\u2026","rel":"","context":"In "Writing Technologies"","block_context":{"text":"Writing Technologies","link":"https:\/\/www.earthwidemoth.com\/blog\/category\/writing_technol\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":6175,"url":"https:\/\/www.earthwidemoth.com\/blog\/2004\/10\/29\/cny-conference\/","url_meta":{"origin":6176,"position":4},"title":"CNY Conference","author":"Derek Mueller","date":"October 29, 2004","format":false,"excerpt":"Blog's been nagging me for an entry.\u00a0 Okay, so it's Friday afternoon.\u00a0 I picked up 37 seven-page essays with invention portfolios this morning. (Mercy me! Quite a stack.) And after reading yet another 100 pages in Lakoff's Moral Politics this afternoon, I'm worn down tired. Damn near too tired to\u2026","rel":"","context":"In "Travelog"","block_context":{"text":"Travelog","link":"https:\/\/www.earthwidemoth.com\/blog\/category\/travelog\/"},"img":{"alt_text":"Close","src":"https:\/\/i0.wp.com\/www.earthwidemoth.com\/blog\/img\/veryveryclose.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":6218,"url":"https:\/\/www.earthwidemoth.com\/blog\/2005\/01\/23\/kissers-lips-bl\/","url_meta":{"origin":6176,"position":5},"title":"Kisser’s Lips, Blow Hard","author":"Derek Mueller","date":"January 23, 2005","format":false,"excerpt":"Via Boing Boing, Corey Doctorow posts this trill-iant link to the Whistler's Delight--a mix from DJ Riko that works together The Bangles, Sweet Georgia Brown, J. Giles Band, Otis Redding, G 'n R, Andy Griffith theme and several others into one. 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