{"id":6136,"date":"2004-07-25T21:46:11","date_gmt":"2004-07-25T21:46:11","guid":{"rendered":"http:\/\/www.earthwidemoth.com\/blog\/2004\/07\/25\/corder-1976-wha\/"},"modified":"2004-07-25T21:46:11","modified_gmt":"2004-07-25T21:46:11","slug":"corder-1976-wha","status":"publish","type":"post","link":"https:\/\/www.earthwidemoth.com\/blog\/2004\/07\/25\/corder-1976-wha\/","title":{"rendered":"Corder, 1976, &#8220;What I Learned at School&#8221;"},"content":{"rendered":"<span class=\"span-reading-time rt-reading-time\" style=\"display: block;\"><span class=\"rt-label rt-prefix\">\u23f3 Approximate reading time: <\/span> <span class=\"rt-time\"> 4<\/span> <span class=\"rt-label rt-postfix\">mins<\/span><\/span><p class=\"citation\">&nbsp;Corder,<br \/>\nJim. &quot;What I Learned at School.&#8221; <i>On Writing Research: The Braddock Essays, 1975-1998<\/i>.<br \/>\nEd. Lisa Ede. New York: Bedford St. Martin&#8217;s, 1999. 43-50. <\/p>\n<p><b>Big Idea<br \/>\n<\/b>Jim Corder&#8217;s essay playfully reconsiders his overeager commitment to write<br \/>\nnine essays in one semester&#8211;projects written from the same nine calls issued to<br \/>\nhis students.&nbsp; Corder lays out a few important lessons, and goes on to<br \/>\nexplain the antithetical teetering between the openness of invention and the<br \/>\nclosed-ness of structure. He acknowledges that much of what he wrote during the<br \/>\nsemester-long experiment stemmed from ideas he&#8217;d been thinking about for some<br \/>\ntime.&nbsp; To that end, Corder concludes that &quot;a semester affords precious<br \/>\nlittle time for genuine invention, exploration and discovery&quot; (44), and<br \/>\nstudents often labor against inadequate inventive time.&nbsp; Corder&#8217;s lessons, however mundane and ordinary, are important, common-sense<br \/>\nreminders about rethinking what we teach and frequently returning to questions<br \/>\nabout what we <i>do<\/i> and why. The<br \/>\nsecond half of &quot;What I Learned&quot; is a reprint of &quot;Half Thoughts on a Whole<br \/>\nSemester,&quot; the ninth and final essay composed by Corder in fulfillment of his<br \/>\npromise to his students.&nbsp; It&#8217;s a self-reflective critique of his<br \/>\nteaching, of his pedagogical emphases (invention and structure), and the<br \/>\nassorted tenets about composition drawn from the experiment (to write one&#8217;s own<br \/>\nassignments with students).&nbsp; <\/p>\n<p><b>Wondering About<br \/>\n<\/b>I&#8217;ve never tried the Corder experiment (if I might rightly assign the name<br \/>\nof the experiment to him), but I think remember hear such practices mocked as<br \/>\npreposterous.&nbsp; How wildly adventurous and glutton for punishment would a<br \/>\nteacher be to do all of the assignments with students?&nbsp; This essay is<br \/>\nforthright and fun; it&#8217;s a glimpse inside Corder&#8217;s self-consciousness about the<br \/>\nproblem of realizing a gap between writing as we stage it for our students and<br \/>\nwriting as we engage with it ourselves (habits and purposes rifts, I guess). It&#8217;s not exactly clear what Corder would<br \/>\ndo differently as a result of the experiment.&nbsp; It&#8217;s illuminating stuff (albeit<br \/>\nstriped with functionalism), but I came away from the essay with more questions<br \/>\nthan answers about what this means for designing a writing course.&nbsp; <\/p>\n<p>I can think of a few occasions when, like Corder, I was tempted to backpedal<br \/>\nor scrap plans&#8211;the souring of a pre-semester planning buzz.&nbsp; The flops<br \/>\nwere never disastrous; I learned, corrected, made changes for subsequent<br \/>\nsemesters.&nbsp; Teaching is endless experimentation, after all.&nbsp; Even when<br \/>\nit&#8217;s perfect, student dynamics assuredly flip, redouble.&nbsp; Corder is modest about his<br \/>\ncommitment, too; he downplays the significance of following through on his word,<br \/>\nof keeping his end of the agreement rather than changing course, explaining<br \/>\nhimself out of it, leaving students with their work. He certainly could have<br \/>\nsaid, &quot;I take it back.&quot;&nbsp; Some<br \/>\noccasions should allow for flexibility, but I admire that Corder actually wrote<br \/>\nthe essays and acknowledged the cumbersome, inherent challenges in so doing.<\/p>\n<p>Corder mentions his work with the TUTO rhythmic method.&nbsp; Any idea what<br \/>\nthis is?&nbsp; I Googled around for the method, but didn&#8217;t come up with<br \/>\nanything.&nbsp; Has anybody heard of this?&nbsp; My hunch is that it involves<br \/>\ninvention, pre-writing and generative heuristics, but that&#8217;s a long shot.&nbsp;<br \/>\nI can&#8217;t find anything on the TUTO acronym, period (TUTOrial?).<\/p>\n<p>We won&#8217;t win Braddocks for it, but I like the idea of formally writing<br \/>\nthrough our lessons learned following a term of teaching.&nbsp; I suppose many comp<br \/>\nprograms encourage this sort of self-reflection for their TAs and other folks<br \/>\nwho take seriously improvement in their teaching.&nbsp; But lots of part-timers<br \/>\n(and perhaps too many long-term full-timers) stop working through their teaching<br \/>\nquestions.&nbsp; Could be a matter of not recognizing the rough spots, not<br \/>\nhaving the time\/energy to devote to self-reflection, or resigning to the<br \/>\ninevitability of grand performances sometimes sailing and other times sinking<br \/>\nbecause of variability. And so I&#8217;ll sneak in a plug for blogs as teaching registers.<br \/>\nConstantly thinking about how much information to reveal here keeps its<br \/>\nexigency, but post-term reflections about assignments, pace, successes and<br \/>\nwould-do-differentlies are blogable, I think, and, as such, reflective blogs can<br \/>\nbe done responsibly and in ways that build toward an improved teaching manner.&nbsp;<br \/>\nOf course, private teaching notes can serve this purpose, too (and probably ought to if a blog isn&#8217;t part of the mix).<\/p>\n<p>Here are a few more pieces from Corder.&nbsp; His short essay is worth a read,<br \/>\nespecially if you&#8217;ve ever entertained the idea of doing assignments with<br \/>\nstudents or if you&#8217;re interested in the pull between invention and structure. <\/p>\n<p>His lessons: <\/p>\n<blockquote><p>1. I learned that writing out one&#8217;s own assignments is a marvelous corrective<br \/>\nto any tendency one might have for using merely habitual assignments or for<br \/>\nwitlessly making thoughtless or stupid assignments.<\/p>\n<p>2. With some of the arguments and assumptions that undergird freshman<br \/>\ncomposition I am familiar.&nbsp; I know that &quot;the ability to write a literate<br \/>\nessay is the hallmark of the educated person.&quot; I know that &quot;a competent student<br \/>\nout to be able to produce a decent piece of writing on call.&quot;<\/p>\n<p>3. I learned that I often did precisely what I urged my students not to do: I<br \/>\nhurried; I waited until the last moment, because that was the only moment there<br \/>\nwas; I accepted available subjects that came easily to mind; I wrote some &quot;nice&quot;<br \/>\nessays and some &quot;acceptable&quot; essays; once or twice I turned in rough drafts as<br \/>\nif they were finished papers.&nbsp; Perhaps I should add that I did usually get<br \/>\nsemicolons in the right place.<\/p>\n<p>4. I need to say more about items 2 and 3 in order to tell what I really<br \/>\nlearned, to tell why writing nine essays is a task very nearly not doable.&nbsp;<br \/>\nPerhaps what I really learned is that I have not learned enough.&nbsp; Or<br \/>\nperhaps what I really learned is that part of what I know about writing (though<br \/>\nright enough in its way) is not germane or immediate or companionable when one<br \/>\nis <i>doing<\/i> the writing.<\/p><\/blockquote>\n<p><b>One more quotation<\/b><\/p>\n<p>&quot;I was sitting there looking at the assignment when another dark thought<br \/>\ncame: &#8216;I <i>know<\/i> how to write this thing,&#8217; I remember saying to myself, &#8216;but<br \/>\nwhy in hell would anybody <i>want<\/i> to?&#8217;&quot; (45).<\/p>\n<p><b>Corder&#8217;s Laws of Composition (thinned version)<br \/>\n<\/b>Ninth law of composition: Everything comes from somewhere and goes some<br \/>\nplace.<br \/>\nEleventh law of composition: Some things precede other things. Invention<br \/>\nprecedes structure. Thinking and feeling and being precede writing.<br \/>\nEighteenth law of composition: You are always standing somewhere when you say<br \/>\nsomething.<br \/>\nTwenty-fifth law of composition: Invention is an invitation to openness.<br \/>\nTwenty-sixth law of composition:&nbsp; But structure is a closure.&nbsp; You<br \/>\ncan&#8217;t organize an essay or a sonata unless you have ruled out other<br \/>\norganizations.<br \/>\nTwenty-seventh law of composition: Invention and structure, then, represent a<br \/>\nway of being in the world.<br \/>\nThirty-second law of composition: What follows feeds, enlarges, and enriches<br \/>\nwhat precedes.<\/p>\n","protected":false},"excerpt":{"rendered":"<p><span class=\"span-reading-time rt-reading-time\" style=\"display: block;\"><span class=\"rt-label rt-prefix\">\u23f3 Approximate reading time: <\/span> <span class=\"rt-time\"> 4<\/span> <span class=\"rt-label rt-postfix\">mins<\/span><\/span>&nbsp;Corder, Jim. &quot;What I Learned at School.&#8221; On Writing Research: The Braddock Essays, 1975-1998. Ed. Lisa Ede. New York: Bedford St. Martin&#8217;s, 1999. 43-50. Big Idea Jim Corder&#8217;s essay playfully reconsiders his overeager commitment to write nine essays in one semester&#8211;projects written from the same nine calls issued to his students.&nbsp; Corder lays out a&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[167],"tags":[178,270,271,272,150],"class_list":["post-6136","post","type-post","status-publish","format-standard","hentry","category-reading_notes","tag-composition","tag-corder","tag-invention","tag-reflection","tag-structure"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Corder, 1976, &quot;What I Learned at School&quot; - Earth Wide Moth<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.earthwidemoth.com\/blog\/2004\/07\/25\/corder-1976-wha\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Corder, 1976, &quot;What I Learned at School&quot; - Earth Wide Moth\" \/>\n<meta property=\"og:description\" content=\"\u23f3 Approximate reading time:  4 mins&nbsp;Corder, Jim. &quot;What I Learned at School.&#8221; On Writing Research: The Braddock Essays, 1975-1998. Ed. Lisa Ede. New York: Bedford St. Martin&#8217;s, 1999. 43-50. 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This is one among the incentives for taking on responsibilities as Director of the First-Year Writing Program--a role I formally\u2026","rel":"","context":"In &quot;Academe&quot;","block_context":{"text":"Academe","link":"https:\/\/www.earthwidemoth.com\/blog\/category\/academe\/"},"img":{"alt_text":"PH613M","src":"https:\/\/i0.wp.com\/farm8.staticflickr.com\/7395\/8814368969_057ee45b2f.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":7286,"url":"https:\/\/www.earthwidemoth.com\/blog\/2010\/09\/09\/theory-blackmai\/","url_meta":{"origin":6136,"position":1},"title":"Theory Blackmailed, or Invention Hobbled?","author":"Derek Mueller","date":"September 9, 2010","format":false,"excerpt":"Yesterday--day one of teaching in the new semester--did not quite go as planned, and in the wake of a couple of surprises, I didn't get around to posting like I intended to in recognition of the nth annual RB of September. After a few years such postings carry a some\u2026","rel":"","context":"In &quot;Reading Notes&quot;","block_context":{"text":"Reading Notes","link":"https:\/\/www.earthwidemoth.com\/blog\/category\/reading_notes\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":6175,"url":"https:\/\/www.earthwidemoth.com\/blog\/2004\/10\/29\/cny-conference\/","url_meta":{"origin":6136,"position":2},"title":"CNY Conference","author":"Derek Mueller","date":"October 29, 2004","format":false,"excerpt":"Blog's been nagging me for an entry.\u00a0 Okay, so it's Friday afternoon.\u00a0 I picked up 37 seven-page essays with invention portfolios this morning. (Mercy me! Quite a stack.) And after reading yet another 100 pages in Lakoff's Moral Politics this afternoon, I'm worn down tired. Damn near too tired to\u2026","rel":"","context":"In &quot;Travelog&quot;","block_context":{"text":"Travelog","link":"https:\/\/www.earthwidemoth.com\/blog\/category\/travelog\/"},"img":{"alt_text":"Close","src":"https:\/\/i0.wp.com\/www.earthwidemoth.com\/blog\/img\/veryveryclose.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":7035,"url":"https:\/\/www.earthwidemoth.com\/blog\/2006\/09\/07\/lefevre-inventi\/","url_meta":{"origin":6136,"position":3},"title":"LeFevre, Invention as a Social Act","author":"Derek Mueller","date":"September 7, 2006","format":false,"excerpt":"LeFevre, Karen Burke. Invention as a Social Act. Studies in Writing and Rhetoric Ser. Carbondale: Southern Illinois UP, 1987. Invention as a Social Act is a landmark book on rhetorical invention. Lefevre introduces \"a more adequate terminology\" for rhetorical invention, complicating commonplace associations between the \"generation of ideas\" and the\u2026","rel":"","context":"In &quot;Writing Technologies&quot;","block_context":{"text":"Writing Technologies","link":"https:\/\/www.earthwidemoth.com\/blog\/category\/writing_technol\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":6179,"url":"https:\/\/www.earthwidemoth.com\/blog\/2004\/11\/05\/comfort-invento\/","url_meta":{"origin":6136,"position":4},"title":"Comfort Inventory I","author":"Derek Mueller","date":"November 5, 2004","format":false,"excerpt":"I parked our second vehicle in the garage for the winter. (So what if it's a two-wheeler, and the foyer is where it's propped.)\u00a0 On Wednesday, I asked my students from the Northeast how late into the year it seems sensible to ride a bicycle to campus.\u00a0 Turns out they're\u2026","rel":"","context":"In &quot;Unspecified&quot;","block_context":{"text":"Unspecified","link":"https:\/\/www.earthwidemoth.com\/blog\/category\/unspecified\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":7093,"url":"https:\/\/www.earthwidemoth.com\/blog\/2007\/05\/16\/lyon-rhetoric-a\/","url_meta":{"origin":6136,"position":5},"title":"Lyon, &quot;Rhetoric and Hermeneutics&quot;","author":"Derek Mueller","date":"May 16, 2007","format":false,"excerpt":"Lyon, Arabella. \"Rhetoric and Hermeneutics.\" Perspectives on Rhetorical Invention. Eds. Janet Atwill and Janice Lauer. Knoxville, Tenn.: Univ. of Tennessee P, 2002. 36-52. Lyon works at the intersection of rhetoric and hermeneutics in an effort to make sense of the relationship between the two concepts. 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