Tough Room

Last week’s This American Life on Tough Rooms has been lingering in the back of my mind since I heard it—again, as a podcast to make time pass on the elliptical. The first segment on headline-invention meetings at The Onion struck me at the time as a fantastic clip for orienting the ENGL121 students I will have in the spring to the idea of entering the conversation. As usual, I’m mildly conflicted (and I have the luxury of time before this conflict must be resolved): it’s a bit more agonistic than irenic, but I am still thinking about its possibilities for framing how some of our in-class discussions could go. The idea of tough rooms could also be a useful counterpart to echo chambers. Could the two be joined to suggest a spectrum that has different consequences on either extreme—too much believing or too much doubting?

I’ve also been thinking about a sequence in ENGL121 that would adopt in turn composing logics associated with Grammar A (conventions; writing mythos; “Inventing the University”), Grammar B (Winston Weathers; crots), and Grammar <a> (Rice; networks; hypertext). I don’t know yet how I would position the three in relation, but I can faintly imagine a promising sequence that would help us gain traction on their differences, their respective strengths and limitations, etc.

Fulkerson, “Four Philosophies of Composition”

Fulkerson,
Richard. "Four Philosophies of Composition." Composition
in Four Keys: Inquiring into the Field
. Barbara Gleason, Louise Wetherbee Phelps, and Mark Wiley, eds. Mountain View, Calif.: Mayfield, 1996. 551-555.

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