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Is. drew this on Sunday, her unbirthday and 30th monthsday. C, then O, and then she filled in faces and bodies while the board was upside down.

When I saw it late last night, I was first attracted to the O and the tight radiant circles in its eyes–its hypnotic bliss. But the more I look at the C, the more depth I see in its character, the more waves in its wide, thin hair-do.

“We Are Coming” – Logan (1999)

In 691 (Method~ologies) this week we’re considering historical methods and
reading for such methods specifically through the Shirley Wilson Logan’s work in
"We Are Coming": The
Persuasive Discourse of Nineteenth-Century Black Women
.  In the
preface, Logan speaks briefly to her method: "Since rhetorical analysis requires
an understanding of the formal features of a text in conjunction with its
historical context, I consider pertinent historical details–biographical,
social, political and cultural.  Moving from the historical, I address
various characteristics of a chosen text in the light of these details. 
The selection of characteristics is informed by classical rhetoric and its
twentieth-century reconstructions.  My hope is that these discussions might
also add to a clearer understanding of nineteenth-century culture and of the
ways in which the persuasive discourse of nineteenth-century black women adapted
itself to its multiple audiences and multilayered exigencies" (xvi).  As
well as any passage I could locate, these few sentences give a fairly complete,
succinct overview of the project.

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