Collectanea 31.25 Hot-Ticks-Unroll

Week of July 28, 2025

Porcine

Figure 1. “A Bubbling in the Sty.” A shorter than usual timeframe for this month’s illustration, but then again what’s more American than microwaved bacon? This, for the July POTM themed “Hot,” which paired with william o’neal ii’s “American Erotica.”

Job Numbers

Sixteen years in the professoriate. Two institutions (EMU and VT). One year as associate WPA. Ten years as WPA (five at EMU, five at VT). In that span, eight department chairs, five deans, four provosts.


Nineteen

Figure 2. Last of the teenaged chrysalis years queuing in 3…2…1 for Is. who turns 19 today. HB! Proud of all daughterchild has accomplished and the many big things ahead for her this fall at U of M. 〽️

5ives Expanded

I’ve been doing some light tech backups this week, deleting some old files; routine stuff, like decluttering my notes app (contemplating jump from Drafts to Google Keep), and there in an old note was a list of nineteen things I could do without. They’re not in rank-order of most to lesser disdain or golf and cilantro would be nearer to the top. And sure, it’s more than five, but back to school season means back to rule breaking season.

  1. Bow ties
  2. Easter 🐣
  3. Berries
  4. Vampire pop culture
  5. Leaf blowers
  6. Pocket change
  7. Chipotle
  8. Bob Newhart Show
  9. Fireworks
  10. Carnival games
  11. Cruises
  12. Princess Bride
  13. Meetings without agendas
  14. Rosewater flavored anything
  15. Cilantro
  16. Magic tricks
  17. High fives
  18. “Enter Sandman” as VT pep song
  19. Golf

Out and About


Unroll Themselves

“In Essays in Radical Empiricism, James writes: ‘Knowledge of sensible realities . . . comes to life inside the tissue of experience. It is made; and made by relations that unroll themselves in time. Whenever certain intermediaries are given, such that, as they develop toward their terminus, there is experience from point to point of one direction followed, and finally of one process fulfilled, the result is that their starting-point thereby becomes a knower and their terminus an object meant or known‘ (1996: 57). In ‘The Feeling of Effort,’ James similarly sees the feeling as occurring ‘inside the tissue of experience.’ Yet, and this is where his later work assists in the understanding of the text, while created in the relation—’made by relations that unroll themselves in time’—the feeling (of effort) only comes into itself as such through the motor of a terminus. The terminus is what vectorizes the agencement, pulling the force-of-form to singular expression. This motor is not the end point in any direct sense. It is a force that activates the movement. The terminus acts as the pull, setting up the field that becomes the knower-known relation. Here, once again, there is not yet a predetermined subject or object, but rather, as Whitehead might hesitantly say, recipient and provoker” (160).

—Erin Manning. (2016). The Minor Gesture. Duke University Press.

In July’s second half, reading for wonder and curiosity slowed. Instead, review tasks like the wind. Three external reviews, a set of DRC fellow applicants, two manuscripts. Only ever part of the story, as relations unroll themselves. Yesterday it was an encounter with a rabid raccoon, a real-time fiasco while wielding merely a stick, which broke; the unwell critter growled at me, crossed the road, later died in the neighbor’s yard. Vultures wasted no time. Picture window sky burial. Unroll. Bills to pay and travel. Unroll. You can opt out altogether from Transunion, Experian, and Equifax cold call and list selling nonsense, did you know? The lab in Madison, Wisconsin that handles Cologuard telephones but is strangely, almost theatrically, plucky about their offers of help. Unroll. Lazily searching around for Kittler on media phantasms, spiritism, ghosts. It only feels right to find so little. This-above Erin Manning quotation, some veneer of it perhaps in Walking Methodologies, holds what I want my CCW paper on hand maps to engage, but how? Unroll. Let this fall’s teaching mix in, I think, because it needs more time. Doesn’t it always? Unroll.


About Collectanea

Collectanea is a series I’m trying out in Summer 2025 at Earth Wide Moth. Each entry accumulates throughout the week and is formed by gathering quotations, links, drawings, and miscellany. The title of the entry notes the week and year (the tenth in this series from Week 31 of 2025, or the Week of July 28). I open a tab, add a little of this or that most days. Why? Years ago my habitude toward serial composition and, thus, toward blogging, favored lighter, less formal, and more varied fragments; gradually, social media began to reel in many of these short form entries, recasting them as posts dropped a Facebook or Instagram or Twitter (while it lasted), albeit with dwindling ripple effect into the ad-addled and algorithm-ambivalent streams. This space, meanwhile, began to feel to me like it wanted more thoughtfully developed entries bearing the shape and length of what you might find on Medium or Substack. But, because I am drafting toward a book project most mornings, I don’t quite have reliable essayistic bandwidth for Earth Wide Moth this summer. Collectanea, if it goes according to my small bites chicken scratch plan, will be a release valve for the piling up of too many tabs open, functioning as a shareable, intermittent (weekly?) repository for small pieces cut and pasted from stuff I am reading, and also as a scrapbook for illustrations. -DM

Duolingo streak ist sehr gut! 🇩🇪#wonderhollow #rollcall

The Last Human Teachers

Tuesday. February snow day. One app said 8-10 inches of snow. Another said 1-3 inches followed by a coating of freezing rain. Artificials slackly forecast the weather, having never shivered much less set foot outside. Put on a scarf humans. School’s out. My fingers are cold but not freezing as I type this. Snow day not a great difference maker for me. Because I am teaching online this semester, the snow day is better news for everybody else. We haven’t had much good news lately. CNN and Fox sniffing each other’s indigestibly rotten reflux. Al Jazeera wide-eyed half a world away. Social media dead zone. Another twirl of enclaving and homophily, each whispering ta-ta-ta in best friend’s ear, the whole scene with less thunder from the device-glued herd. Thinning wisps as fuhrer DonJay’s hair, not that I can stand to look at it much less imagine for a microsecond its sadness. Gel, mousse, weariness. Context collapse. An ever distanter relative party pops on nimshit Zuckerberg’s tired platform about how DOGE is rooting out FEMA excesses. Are we even related? A part of the context that collapses would if it could tell of how weird it is to labor, to give away a third of your income to strangers, and then for those strangers to be wealthy oligarchs who have abandoned financial disclosure rules, who have carried menacingly a “corruption detector” to the beach and here we all are mere granules of sand at shores that keep washing wave-wash after wave-wash not even touching a coin Foucault. Beach appears smooth, pristine. Nothing to see here. And the penny is going away, soon gone. Ephemerality of the nanoscale.

Snow Day Chores

Tuesday. February snow day SW Virginia. Slippy Blue Ridge. Figured we would lose power. We’re only ever an unkempt tree branch away from all of it shutting down. So I was up earlier than usual for the juice meaning electricity, to make coffee and heat water. Predictable oatmeal bowl. Sucks bawk-bagawk feeding the chickens in the snow. The youngster pullets looked at me and it felt like they understood something like what the hell you acted like spring was coming. Hush now have your layer pellets, I didn’t make this weather. Neither am I free from participating in the day’s rituals just because this rarer, noise dulling precipitation has blanketed us over. Elkhound Feta in her Scandinavian element. I shoveled a little as she dashed about, gulping flavorless snow maws midstride. Bursty joy contagion, now come on let’s go back inside.

Have You Heard This Song?

Couple of weeks so not so long ago Is. first-yearing along up north texted me first thing, first class of the day but the teacher hadn’t arrived yet, so Gen Z-style whatevering at 8:30 a.m. and wondering had I heard Big Thief’s “Simulation Swarm.” I hadn’t. So I listened. Spotify is a contemptible pillage for artists, extracting at that razor’s edge between profitability and streaming use. Here we are. Flawed world accruing flaws the more you really think about it. But I’ll take the song rec from my daughter with an ounce of Spotify forgiveness. Good enough to add to Liked Songs playlist, hoggy trough that it is, such a careless curation with a declining chance of replay. There in the song, a burdock line about “the last human teachers.” It stuck. I wrote it down. Everyday collectanea.

Guest-Led Class Gets Bigger

The same week, a day or two on, collared shirt and good shoes, I guest-led an in-person class, same class I guest-led last fall though it has a different professor this semester. Last semester, they all gathered in a nondescript classroom, capped at 40 students. This semester, the cap doubled to 80, it meets in a lecture hall. Clip on a wireless mic for audibility. An activity on what you were eating for lunch in 2016. Lunch tray handout. Northern Virginia schools and memories about cow jokes printed on half pint milk cartons. Here, now, theater seating, and weren’t those corny puns the days. Here, now, discussion groups made into flat-lines by bolted down row seating and meanwhile from outside the ambience of heavy equipment building new and sparklier halls.

The same week, two days on, in my Shanks office on a Friday morning, small talk check-in with a colleague, and I learned that home department now has an online-asynchronous class capped at 500 students. Theme is true crime. People are ooh-ahhing about it, tongues out cash register pupils emoji, this new model for scaling up English Department’s offerings. Bigger being better, when bigger refers to the translation of credit hours pouring in, black gold, Texas tea. First thing you know, humanities are a millionaire, but the sing-along gets interrupted because, that’s peanuts considering there is another class, design appreciation, capped at 4000. I only know of design appreciation because from time to time someone in a much smaller technical writing section (capped at 22) will mention it as the only other online class they have taken before, hinting that it forges schema and functions almost as a model, an ur-experience, of an online learning sort, forget Dewey. So the road forks; teaching changes. The more costly and higher caliber thing dies out. The new thing is better because it cheddars more lunches, whopper profitable and there are so many other institutional priorities to underwrite. Sure, we could hold a yearning seance with the days of human teachers and human students gathering in a room and talking, interacting, making stuff, connecting, puzzling through. I’m not writing this as a proposal, only a thought-yarn, “last human teachers” setting in motion that flurry of questions, much as before, about what we’re doing now and why, about what the something-doing does.

Goose Meat For Tenderness

Food Writing preparations for Thursday’s class session sidewinded unexpectedly to Agriculture Canada’s 1970 (revised) volume, Methods for Sensory Evaluation of Food. The small internet-archived book has just 64 pages, and most of them provide models for Likert ratings and corresponding statistical lookups so as to go easy on calculator-keying. Especially telling about the book’s time and place are selection of foods features in the examples: peaches, “fish-potato flakes processed under two different sets of conditions” (16), and, here, “three samples of goose meat” (30).

I don’t think I want to go the meandering long-haul distance on this one; it’s too tangential to our focus on whether and to what extent, if so, food evaluation is plausibly indexical, relatable from one person to the next, communicable, and so on.

Without venturing too far into the numbers, I want to pose as a methodical backdrop categories of appearance/aesthetics, aroma/scent, taste, texture and consistency, temperature, and overall flavor, which I understand to be a more integrated and holistic sensory impression, whereupon each becomes inflected with the other (much of which I have adapted from sites like this). From this context, we have a system of a certain sort, and yet, this is meant to provide an antecedent for the more active and applied part of the class, which will include sampling an apple, mandarin orange, or banana, listening again to “Are You Really Appreciating the Apple? from Savor, and “Eating an Orange” from A Pebble for Your Pocket, and then, through writing and conversation, engaging reflectively on the relationship between experiential knowledges and the techniques, associated with mindfulness, in this case, for granting greater (or is it simpler, if intensified) saturation to the sensorium, while eating. I know, I know, 99 word sentence. Blog forgive me. I am mulling over the contrastive frames for experiential transposition, and that sets up promisingly in this first model, assigning ratings to discrete qualities, as compared to the mindfulness meditation that invites spacetime flux, the cosmos in a bite of tender goose meat, or GMO fruit, as the case may be.

Scardamalia and Bereiter, "Levels of Inquiry in Writing Research"

Bereiter,
Carl, and Marlene Scardamalia. "Levels of Inquiry in Writing Research." Research
On Writing: Principles and Methods. Peter Mosenthal, Lynne Tamor, and Sean A.
Walmsley, eds. New York: Longman, 1983. 3-25.

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Emig, “The Tacit Tradition”

Emig,
Janet. "The Tacit Tradition: The Inevitability of a Multi-Disciplinary
Approach to Writing Research." (1977). The Web of Meaning.
Dixie Goswami and Maureen Butler, eds. Upper Montclair, N.J.: Boynton/Cook,
1983. 145-156.

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Smith, “Hypertextual Thinking”

Smith, Catherine F. "Hypertextual Thinking." Literacy and Computers:
The Complications of Teaching and Learning with Technology
. Cynthia Selfe
and Susan Hiligoss, eds. Research and Scholarship in Composition Ser. New York:
MLA, 1994. 264-281.

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