Posted by on Monday, December 1, 02014 at 01:47 PM to Dry Ogre Chalking.

Somehow

Somehow, the dark sun will illuminate us. (555)

This, leafing again through Sirc's "Godless Composition, Tormented Writing," for tomorrow's grad class, third to last of the semester. Reading this line again makes me think that Bataille's wonderment is thick in the ground just beneath the site where the still-unbuilt hacienda would if it could one-day stand.

Posted by on Wednesday, October 8, 02014 at 09:00 PM to Sport.

Right Foot, Right

Exactly five weeks ago--and I do mean exactly...at 9 p.m. on Wednesday, September 3--in the middle of a pick-up basketball game I leapt many many inches (±3) into the air to intercept a three-quarter court pass. The ball reached my hands, it stopped there, and gravity brought me back to where I'd started. Only, the landing, settling down on Earth again, dear ground control, didn't go so well. Right landing gear crumpled, an old black shoe sole gripped and wrenched counter-clockwise against the freshly polyeurethaned floors, many thickly tackily coated planks, cork-screwing my shoe+foot and the bones inside until the fifth metatarsal said, "Fuck it. I give up."

Sometimes bones give up. They break.

Landings are so common in jumping sports that I would guess on any given night, through 90 minutes of pick-up ball, there are 1,000 successful landings by any given player. And years ago, the tip-toe landing would have resulted for me in a sprained ankle. I've had tens of sprained ankles, mostly on the right side--so many in fact that I had a knuckle-sized bone spur surgically chiseled off the south-most tip of my right tibia in 1995 because so many bone chips had rustled and rattled in there, nomadic calcifying teasers making the bone think it needed to grown even though it didn't need to grow. But grow it did until sprain sprain sprain, I couldn't lift my toes toward my knee without bone-bone pinching. I'm not complaining, only historicizing the ways some ankle area bones try to retrieve their loose chips, advancing gradually as if to bring them home again. The spur was with a couple of knocks taken away and the ankle more or less as good as new. Refurbished, at least.

But the broken fifth metatarsal was new, a first. I'd only broken any bone once before, my left wrist during a 1990 high school basketball game against Leroy-Pine River, a game we lost, a game I continued to play in after halftime despite having fractured the wrist you guessed it intercepting a goddamned three-quarter court pass. A pass I caught. A landing I flubbed. I recall Pine River (the Bucks) had a couple of giants in the post, immovable trees who we kept fouling and fouling but still could not overcome.

Last month's broken foot popped audibly, a long-faced spiral fracture that left me in a huddled pile on the sticky floor, polyeurewincing with the sensation that something extra was in my shoe--a feeling similar to when, as a kid, my brother and I rode bikes (without helmets!) up Winn Road to the Kountry Korner to buy a Sunday newspaper but didn't have pockets and so carried home loose change in my shoe. That's what it reminded me of: shoe as coin purse, jangling. At least two quarters in there.

Back on September 3, an hour and three wins into our weekly run, I told my teammates I was through, that I'd felt a bona fide pop, and then hobbled to gather my gym bag, fish out five dollars for Brandon "The Commissioner", and without peeking inside the shoe to count the coins (dime and a nickel?), wobbled out to the Element and drove straightaway to Canton's emergency care outfit. They took three x-rays, but they only showed me this one:

"You might need surgery. This is a very serious break. I'm sorry your basketball career had to end this way." They said more, but this is most of what I remember.

By the following Monday, after a five day wait, I finally sat down with an orthopedic surgeon who assured me that it wasn't as bad as I was led to believe, that I would be fitted for an orthotic walking boot, and that I was only to listen to my pain and to return in a month. Before the boot, this:

And after:

And so I'm taking a few minutes here--tapping out a few lines--to commemorate the ordeal because tomorrow is that one-month follow-up. The foot has, as far as I can tell, mended to a point of allowing me to walk (but not jog) without pain. I've been on campus for the last two days without the boot, negotiating the craggy asphalt around Pray-Harrold and having an okay time of it. I hope to retire the walking boot officially and to shift next to a physical therapy regimen that will, whatever else comes of it, get me back to a more runnerly routine and, if I'm lucky, eventually give me the choice to take another trip or two up and down the hardwoods.

Posted by on Wednesday, September 17, 02014 at 02:00 PM to Belt of Verbs.

Graphicacy

For the past few weeks, "graphicacy" has insinuated itself into the part of my brain where nagging curiosity comes from (the self-nagebellum), becoming the terministic equal of an ear worm: word worm. Term worm? Lexical maggot? Whatever. And there, for weeks now, it has wriggled, dug in.

I don't recall encountering "graphicacy" before Liz Losh mentioned it casually in her presentation to EMU's First-year Writing Program during her visit last month. I wrote down several things from Liz's talk, but graphicacy was there on top of my notes, large and starred. It stands to reason that graphicacy keeps company with literacy. Both are -acy words, which means they are adjectives converted to nouns and that they name or identify conditions. Presumably these, too, are nominalizations, but they by-pass verbs, which is the problem I've been thinking about. We have reading and writing to verb literacy, but what verbs graphicacy?

I had to do a little bit of cursory sifting and searching for graphicacy, to start. It seems like the term was initiated in a mixed and sprawling range across math education (learning to plot points and interpret graphs), geography (facility with maps), and graphic design (technical-aesthetic savvy). Late last month, it surfaced in the context of a conversation about multimodal composition and the graphic rhetoric we have adopted at EMU, Understanding Rhetoric. This is the main reason it took hold for me: graphicacy seemed to gather an array of practices related both to understanding and making visuals. It sweeps into one pile an assortment of visual communications--graphs, maps, word clouds, comics, painting, photography, typography, data visualization--much in the same way visual rhetoric does. And yet, with graphicacy as with visual rhetoric, it feels like we are still missing a sufficiently encompassing verb to capture the array of practices.

At our Advanced WAC Institute on campus late last April (or was it by then early May?), I worked with a team of colleagues on a new (for us) configuration. With colleagues from Communications and Education, we put together an institute keyed on five complementary practices: writing, reading, critical (or I would say "rhetorical") listening, speaking, and visualizing. The fifth term, visualizing, was mine to introduce to institute attendees, and it was the most difficult to identify with a verb that was adequate to account for the frame, which amounted to concept mapping, drawing/sketching as heuristic for arrangement, and creating occasions for students to work at the intersection of textual and overtly visual and designerly composition.

Because we called it "visualizing," we began the sessions needing to backtrack and contextualize. With visualizing, we weren't talking about conjuring brainbound images or about an indwelt priming of the mind's eye to work on problems or particular ways of seeing. These were among the associations attendees made with visualizing. And this seemed reasonable. Visualizing wasn't quite the right verb. But what is the right verb? What is the general verb comparable to writing, reading, listening, and speaking that relates not only to seeing but to creating visuals, especially in consideration of vector illustration programs and shape-based concept mapping software that bears only faint relation to drawing?

Graphicacy stirs this question yet again but does not quite answer it. But I hope not to call it "visualizing" ifwhen we convene the institute again next time.

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12/15 12:16 PM/@derekmueller: Fourteen weeks and three x-rays later, Dr. Bonestraightener and I said our goodbyes this morning, as he gave me and my once-broken now-healed R foot the all clear for "anything that doesn't hurt," including running and even basketball. Pick-up game this Wednesday? via Facebook

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About
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Welcome to Earth Wide Moth. FaceI'm Derek Mueller, Associate Professor of Written Communication and Director of the First-year Writing Program at Eastern Michigan University. Generally, my teaching and research concerns writing, rhetoric, and technology. More specifically, I'm nomadically navigating questions concerning new media and networked digital writing activity, mapping and geographies, visual modeling methods, network studies, and theories of composing. In addition to this blog, which blurs the boundaries commonly thought to separate personal and professional interests, I make use of Delicious, Flickr, Twitter, etc. Send email to dereknmueller at gmail dot com.
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