Sunday, December 30, 2007
And Now Here

A week ago Thursday we stopped through the closing reception of a show at the Delavan Art Gallery here in Syracuse. Hadn't been to the gallery before, but several pieces produced by our friend (and former neighbor), Amy Bartell, were on display (some of it by such enigmatic and inventive techniques I can't get my mind off of it). I don't have a program with me now, and I couldn't find the exact title for her exhibit online, but I think it was called "Archeological Memoir." Basically, she works with various materials (impressions, overlays, exposure, stamping) to layer together what I would describe as 'geographic impressions.' They're not impressionist, in the sense of that tradition; rather they involve the plying (layering, doubling over, folding and folding) of found things (symbols and materials)--a sandwiching effect by which their pressed-ness amplifies the deep entanglement of place, object, and spatial imagination. I was struck by the collection because it resonated conceptually with some of the stuff you would find in Harmon's You Are Here and at Strange Maps. This it to say it hooked into the same way-finding attitude or manner I continue to find tremendously appealing. But the pieces were also detailed and varied--as pastiche: almost imaginary maps, almost documentary, almost autobiography. Digital versions of two of the pieces are online--Travelogue and Your Call Cannot Be Completed At This Time--but the entire exhibit is worth experiencing in its entirety, and because she does at least one show each year, there is a decent chance of catching it again in Central New York.








