Web Bearings

The "Map of Online Communities"
posted
to XKCD (one of the few web comics I follow) is
traveling
through the

internets
this morning. Don’t miss it. XKCD MapIt offers an impressive lot: playful
place-names, the loose association of geographic area with online activity, and
a directional orientation based on abstract magnetisms (practical/intellectual
and focuses on real life or the web). Very much the sort of
imaginary map you might expect to find in Harmon’s You Are Here.
Even though the map includes a note discouraging navigational use, I tend
to think of it as appropriate for that purpose, especially for wanderers who sit
in their cozy homes in the Icy North, gazing sullenly at/through Windows
Live and Yahoo and wondering what’s on the other side of the mountain range.

Note the TITLE text available on mouse-over of the map: I’m waiting for the day when, if you tell someone ‘I’m from the internet’, instead of laughing they just ask ‘oh, what part?’

Map, Map, Territory

What if Borges’ (or, more properly, Alfred Korzybski’s) map/territory
contrast is just an overplayed maxim, a dwindling truism due for reversal?
(Fine, so I’m not the

first
and

only
to consider the question.)

The aggregator turned up

a report
about laws in the Philippines and Malaysia that ban what is being called
"participatory GIS", the ad hoc mash-up efforts combining cartography
technologies with material models in an effort to define boundaries for lands
held by indigenous groups. The ban on such processes is, in itself,
fascinating (a way to keep the partitioning of the land specialized, in the
hands of experts). But
I’m also struck by the layers to this story, a coordination of compositional and
rhetorical elements–mental models of spaces, the image-assisted translation of
mental models into scaled relief maps made of various materials, the use of these
constructs for legal claim-making, the implied omnipotence of Google Earth.

From the report, the moment of reconciliation between satellite imagery and
the experiences and memories of the person and tribe (map as totemic?):

The modeling technique often starts by showing village elders satellite
images, which they use to record their mental maps of tribal territories,
hunting grounds, and sacred sites.

The material manifestation–something like a folk geodiorama or raised relief map–blends the
latest digital technologies with everyday craft supplies:

[A]ctivist groups…have been helping indigenous communities mix
computers and handheld navigation devices with paints, yarn, and cardboard
to make simple but accurate three-dimensional terrain models.

Simple but accurate? Accurate enough to warrant a ban, anyway.

Photos and Locative Tagging

Flickr
launched a new geotagging
feature
this week (via).
It’s tied in with Yahoo’s mapping API; via Flickr, you can assign locative data
to your photos simply by drag-and-drop methods. The Flickr blog
reports
an impressive surge in the geotagging of photographs with some 1.2 million
geotagged in the first 24 hours after the feature’s rollout.

Granted, if a
photo already had geotags assigned, the new system automatically recognized
them, so a fair portion of the 1.2 million were probably auto-assigned rather
than initiated by Flickr users.

Continue reading →

Digital Onomastics, Frenetic Place-Names

What happens to onomastics or proper place-names with infusions of the
digital? How do the logics of the web, networked writing and folksonymy
let loose (a plentitude of named small-pieces, loosely joined) the
propriety of an onomastics founded on scarcity, where place-names refer formally
to physical locations and also depend upon authorization, a kind of official
license? We will have one name and one name only! Erm, okay, two…two
names. No more. Granted, place-names or toponyms are not altogether
unraveled or let loose. Kansas is still "Kansas," or "KS," even in Google Maps (at
a certain scale, though, the name vanishes because it’s too specific,
too local; KS fades into anyplace). But while these stabilized place-names
remain on highway signs and also showing at certain scales of the
cybercartographic mash-ups, the digital introduces a capacity for differently
circulating and contending name systems. Toponyms are further compounded. For now I don’t care whether
we’re online or on I-90. New (by which I mean not pre-fixed), folksonomic names
and tags don’t automatically replace the official names, although they might one
day contend with them and even displace them or unsettle them a bit.

Continue reading →

Ground-Truthing

The upcoming issue of The New Yorker includes an article first
released yesterday to the magazine’s web site. 
"Getting
There: The science of driving directions,"
offers a sharp-right overview of
evolving navigational technologies, running from Rand McNally paper maps to
their updated on-dash equivalents.  A brief history of automobile
navigation gets a few column inches, too; both the "Jones Live-Map" and the "Photo-Auto
Guide" were early twentieth century contrivances for first-person (um,
first-vehicle?) navigating.  Though it’s only briefly mentioned and mixed
in with a bunch of other fun, interesting details, one proposition is that we’re
seeing a resurgence in egocentric navigational devices with various mobile
gadgets.

Continue reading →

Scent of Maps

Again and again we’ve read articles by D.R. Fraser Taylor this semester on
the coming revolution of cybercartography (even if that rev. arrived a year ago
with Google Maps and its API). Taylor takes credit for coining "cybercartography"
in his 1997 keynote address, "Maps and Mapping in the Information Era" at the
ICC conference in Sweden. Conceptually, cybercartography relaxes
cartography from the constraints of paper; the map-maker and the map-user blend
together; their products–often dynamic and unconventional–play a range from
physical maps to imaginaries and abstraction (idio-data), often at the computer
interface. The "false objectivity" of physical maps is loosened to the
enigmas and wonder. Consequently we have a disturbance of traditional
cartography (i.e. the map-maker, his instruments, and ink).

Continue reading →

Mapping War


A colleague from the cybercartography course shared an email with this link
to the Iraq War Coalition Fatalities Map
produced in Flash by graphic designer Tim Klimowicz. He mentioned it
during yesterday’s session when we were working through maps and motion. It’s both upsetting
and fascinating: upsetting for the long sequence of flarepoints indicative of
deaths, fascinating as an example of design, map animation and the coordination
of temporal and geographic data.