“I add new salt and pepper all the time. We’re not crazy.”
“We’re not not crazy.”
***
“I add new salt and pepper all the time. We’re not crazy.”
“We’re not not crazy.”
***
Here’s a talk from Monochrom’s Johannes on “context hacking” from TedX Vienna (via). Mostly anecdotes. Not a lot here on method, i.e., on how to sub-subversion-vert. Yet I find it interesting in part because of the ascendant status of contextualism in rhetoric and writing (as a point of pedagogical, intellectual, and methodological insistence), and in part because of how constantly and arbitrarily contexts must be fenced in, demarcated. Watching this I wanted to know, is context hacking generalizable? Maybe not. Another problem is that the leftist/postmodernist/melancholic identifications risk functioning as a ticket to an ethics-free zone. Leftist-postmodernist-melancholics might not sweat this detail, but the presentation leads us up to the other side of the coin, even if it does not reckon with still another reversal of subversion: What is the function of context hacking on the right?
No, really, I’m asking.
If for none of these reasons, it’s worth watching/contemplating for a peak at the mundane self-portrait, Material Study with Scanned Photo of Self in a Beer Mood and Photoshop Crystallization Filter (2001).
“Daddy, I think of prettier things than you do.”
“$1.75.”
“Stay out of trouble.”
I would elaborate, but that might be misunderstood as context. Now, onward with four meetings interrupted only by early afternoon basketball.
The Daily Show With Jon Stewart | Mon – Thurs 11p / 10c | |||
Are You Ready for Some Midterms? – MSNBC’s Political Narrative | ||||
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What if remix culture (and concomitant sampling practices) are to blame credit for the willfully negligent truncations of context? Whether such truncations are on the rise, it is difficult to say, but they do seem to be more frequently in the news: 1) absurd fixations on narrative preservation/continuation, and 2) a bandying among television networks over how adequately a clip represents, synecdochically, the situation within which it arose. Samplers all, we cannot avoid the negation of context, can we?, so perhaps the best we can hope for is some rhetorico-ethical insight into why (and how) this happens, and, after that, some relief in laughter.
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Margaret. The Wealth of Reality: An Ecology of Composition. Carbondale:
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Johndan. "The Database and the Essay: Understanding Composition
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Writing New Media: Theory and Applications for Expanding
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Bateson,
Gregory. Steps To An Ecology of Mind. 1972. Chicago: U. of Chicago
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