Still on sabbatical. Thirty days. Work rhythms have been more predictable and disciplined lately. Up early enough, write until noon or so. Out of this, a chapter takes shape–the third chapter. I just sent it off to the editor. Just over 10,000 words. Fourty-eight references. Ten original figures plus the linked-clickable animated index. Something like 44 pages. Embedded notes about “could do more this this” and “could do more with that.” Threaded through is a realization that I’ve been working on this chapter for a few years. And then up next will be a hard revision of the second chapter, hacking away at its extralong bulk, then adding back another 3,500 words. It’s basically a concept review: three concepts. And two are done; one remains.
Second days of sabbaticals. I’ve known only one second day: today. The fifth. As worklike as day one, with the exception that digressive minutiae are more appealing than before–trimming fingernails, sweeping the floor (not that it needs it but for that one speck of mud maybe, which spotted me spying it as the tea kettle took its sweet time steaming from audible boil to pressure-sent whistler). Trim and sweeeeep. Then back in the chair to do office-chair office chair things. Ever nonmagical, more stylistically cumin than cayenne.
Tried to write with some background music, but that was a Johnny J.R. Cashbust. Too distracting, Cindy. What is truth? No earthly good for getting shit done. For the last sprint, I found some wordless Buddhist harpy strumtracks to cycle through iTunes, and that was enough songburst to get this upticking chapter to–what?–nearly a second section in. Put much finer points on a couple of phrases in the first section (stylistic cayenne!), extending it by 155 words and launched the second section with 906 words (maths: 1061). At daybreak I thought maybe I would blaze all the way through to 1500 and dust the second section off, but no, and it’s fine. Dandyfine. I’m also learning to relax about the goals, trust slow and steady and whatever draftmess piles up one day is suited to smoothing the next.
I regard this now as a banality dispatch, but will post anyway. Oh, okay, so I worked on the book again today. That’s what sabbaticals are for. Nonmagical, butt in chair, putting down words that, truth is, range from geez have I been thinking about this for one helluva long time to geez I have no idea on earth what I’m trying to say to geez this is such an old and familiar friend, this idea, to geez is this the best register for warm-accessible reception both by newcomers to the field and by established scholar-colleagues to geez it’s happening and its taking shape is not limited to my fingerstrokes/keystrokes only.
The unfamiliar process taught me a great deal about collaborative drafting
that I didn’t know before. Often it seemed like dabbling on the edges,
often like plunging in–designations that captures the uncertainty I felt
at times, the turn-taking, and the refreshing experience of opening a Google Doc
to find that someone else had poured an hour’s worth of smart work into the
manuscript since the last session. Sure, I’ve read a little bit about
collaboration, talked about it, even asked students to work together, but until
now I can’t honestly say that I’ve undertaken anything quite like this before.
When I first saw the above photograph turn up via TriangleTriangle’s RSS
feed, I was at a point when it cried out: There’s this raging fire to put out.
My colleague was intensely engaged in knocking out the flames while I was, like
the pumpkin shopper standing in the foreground, basically shitting around. So
many pumpkins! I’d flagged the photo for its commentary on collaborative
writing–something I was both doing and also thinking of blogging about–and its
significance shifted. Not an all reversal of studium and punctum
here, but an identity-urgency, an itch: I, too, sought a turn on the ladder.
Turn after turn came later, authorial identifications shifted as if caught in a
turn-style, and the chapter draft took shape, coming more or less solidly
together. This has left me thinking about collaborative writing as worth trying
a few more times for the way I now conceive of the process via something like a
post-dialogic dual occupancy, standing in the foreground (Which pumpkin?) and on
the ladder, happily and at once.
Because some flaws are more glaring when the paint is fresh, before it has dried.
The first word of chapter three’s draft: in. The last word: hence. The last word winks at me and smiles. Why? I don’t use the word “hence” often. We both know it is not the last word but instead the word that comes–for now–at the end.
I thought I would use something from Everything Is Miscellaneous (Weinberger) or Ambient Findability (Morville), but I have not. They are relievers–back-ups for coming revisions.